Wardell Milan (US)
Wardell Milan’s work explores the absurdity of politics, sociopolitical structures, power dynamics and spectatorship of one’s personal existence. In a series of black and white etchings, Milan has used images from the news or magazines as reference points for his compositions, which are executed on copper plates. The result is a series of prints that have evolved between 2019 and 2022, employing a range of time-honoured printmaking techniques which use a range of grey tones, patterns and line work to create decidedly contemporary, politically charged visual narratives. Most recently, Milan’s multi-layered pictorial space has unfolded in a series of large-scale prints showing human bodies immersed in nature, which will soon be published with BORCH Editions.
Wardell Milan (b. 1977, Knoxville; US) received his BFA in photography from the University of Tennessee, Knoxville and his MFA in Photography from Yale University. His work investigates topics like identity, gender performance, as well as social and political structures. His practice includes large-scale figurative drawing, painting, photography and collage, using material from a wide variety of sources. Milan effortlessly translates his drawing skills into detailed, masterfully crafted etchings, combining his old-masterly drawing skill with his experience in the medium of collage.
Lovers, taking in the air
Drypoint, line etching, burnishing, aquatint, soft ground etching, spit bite aquatint, open bite, water bite aquatint
2023
Courtesy of the artist and BORCH Editions
Giovanni and his erotic spirits
Line etching, spit bite aquatint, soap ground aquatint, sugar lift aquatint, burnishing, drypoint, water bite aquatint, soft ground etching, woodcut
2024
Courtesy of the artist and BORCH Editions
He darts his tongue out of his tingling lips
Drypoint, line etching, burnishing, aquatint, soft ground etching, spit bite aquatint, water bite aquatint, woodcut, linocut
2023
Courtesy of the artist and BORCH Editions
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Lovers, taking in the air
Drypoint, line etching, burnishing, aquatint, soft ground etching, spit bite aquatint, open bite, water bite aquatint, 2023
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Giovanni and his erotic spirits
Line etching, spit bite aquatint, soap ground aquatint, sugar lift aquatint, burnishing, drypoint, water bite aquatint, soft ground etching, woodcut, 2024
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He darts his tongue out of his tingling lips
Drypoint, line etching, burnishing, aquatint, soft ground etching, spit bite aquatint, water bite aquatint, woodcut, linocut, 2023
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Portrait of Wardell Milan
Courtesy of the artist and BORCH Editions
Wardell Milan, The Balcony, 2019, series of 8 etchings
Courtesy of the artist and BORCH Editions
Mamma Andersson (SE)
A rich combination of unexpected textures and colours confronts the viewer in Mamma Andersson’s work. Throughout her oeuvre, Andersson has explored and reshaped the genres of still life, interiors, and landscapes. Printmaking has long been an integral part of her artistic practice.
Mamma Andersson (b. 1962, Luleå; SE) lives and works in Stockholm, Sweden. Work by the artist is represented in museum collections worldwide, including the Centre Pompidou (Paris; FR), Dallas Museum of Art (Dallas; US), Göteborgs Konstmuseum (Gothenburg; SE), Hammer Museum (Los Angeles; US), Louisiana Museum of Modern Art (Humlebæk; DE), Moderna Museet (Stockholm; SE) and The Museum of Modern Art (New York; US)
Potpurri
2024
Courtesy of the artist and BORCH Editions
Morgon
2024
Courtesy of the artist and BORCH Editions
Bakgård
2024
Courtesy of the artist and BORCH Editions
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Mamma Andersson working in the studio at BORCH Editions
Courtesy of the artist and BORCH Editions
Frida Orupabo (NO)
Frida Orupabo’s intuitive sense of assemblage is at play in both digital and physical media, which results in uncanny montages in sculptural, photographic and print formats. With a focus on the portrayal of women and the Black female body, Orupabo’s collages point out that the past is connected to the present. The need to create new ways of seeing by cutting out details, replacing and manipulating the subject confronts history and challenges positions of the gaze and the writing of history.
Frida Orupabo (b. 1986, Sarpsborg; NO) lives and works in Oslo, Norway. Upcoming exhibitions include a solo show at Bonniers Konsthall (Stockholm, SE, 2024). Her work is included in major collections such as Tate (London; UK), Guggenheim Museum (New York; US), LACMA (Los Angeles; US), The Louisiana Musem of Modern Art (Humlebæk; DK) and Moderna Museet (Stockholm; SE).
Sickbed I
Photogravure
2024
Courtesy of the artist and BORCH Editions
Sickbed II
Photogravure
2024
Courtesy of the artist and BORCH Editions
Picnic
Photogravure
2024
Courtesy of the artist and BORCH Editions
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Sickbed I
Photogravure, 2024
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Sickbed II
Photogravure, 2024
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Frida Orupabo working in the studio at BORCH Editions
Courtesy of the artist and BORCH Editions
BORCH Editions location
Courtesy of BORCH Editions, Copenhagen.