Art Calendar

CFHILL is thrilled to present the exhibition Människan och livet by Bengt Falk.

The exhibition brings together an extensive selection of works spanning more than sixty years of the artist’s career, in which embroidery forms the foundation of an independent visual language with clear affinities to photography and painting.

V1 Salon is pleased to present the exhibition Communication is Key: Drawing as a Silent Language by Devin Troy Strother, which is the artist's fourth solo exhibition with the gallery.

Communication has never been limited to words. A gesture can function as its own form of communication: a joke, an insult, a warning, or an inside reference.
Slang, images, objects, body language, and even silence carry information.
Sometimes what goes unsaid communicates more than what is spoken.
For this exhibition, Devin Troy Strother presents a new series of drawings that considers these different forms of communication and
the space between seeing, speaking, and understanding.

Andersen's Contemporary is pleased to present the group exhibition, ULTIMATE CHARGE by Sylvie Fleury and Esben Weile Kjær.

ULTIMATE CHARGE presents a new series of collaborative sculptures that bring the artists' practices into dialogue through spectacle, desire, consumer culture and the aesthetics of excess. The exhibition also presents sculptures, wall painting, and a sound work created in collaboration with musician Russell Haswell.

Galleri Magnus Karlsson are delighted to announce Thomas Broomé’s eighth solo exhibition at the gallery.

False Idols features a series of new paintings and a spatial light installation.

Þula Hafnartorg is proud to present the solo exhibition, Once There Is by Steinn Logi.

In the exhibition Once There Is, Steinn Logi explores how stories can preserve time and bridge the distance between past and present. They carry what happened, what might have happened, and even what could never happen, travelling between people, generations, and worlds.

Galerie Forsblom welcomes the exhibition Derrière les portes by Hannu Väisänen at the gallery.

Hannu Väisänen’s works often deal with everyday objects and occurrences, translating their intriguing details and distinctive features into the language of painting. The subjects he chooses may include anything from crockery to rugs, but might just as easily be historical figures or existing works of art.
The artist typically takes up a single theme and works on it for an extended period. This time, he found himself exploring a subject that literally invited him to cross the threshold and step inside: doors.

Galerie Forsblom is pleased to present the exhibition Lemmenlätäkkö by Miisa Mäkeläinen.

Soft shapes flow across the canvas, intertwining nature’s cycles with themes of embodiment. Gushing, squirting, and bubbling, they carry life within them as they spread and merge into a wider web of connections. Nature comes to life in tree canopies, mycelia, root systems, leaf veins and meandering streams that pulsate, inhale, and exhale within the layers of paint. The picture plane disintegrates, figurative elements become camouflaged in the terrain, and ultimately metamorphose into something new: sprouting new life, reaching upwards, gradually opening and bursting into bloom.

Galerie Forsblom is pleased to present the solo exhibition Threshold by Viljami Heinonen.

The paintings are characterized by a powerful layering of both physical and temporal dimensions. Heinonen paints memories, and the locations he creates thus double as psychological spaces: they transport us back to experiences already lived, carrying with them a range of emotional resonances and inviting us to reflect on the fleeting nature of existence.

OTP Copenhagen is excited to announce the group exhibition Repro by Ingrid Jacobsen, Dagmar Moldovanu, Anna Rettl and Adam Varab.

Each of the artists use print and reproduction technologies as part of their practice. Tools for mechanical reproduction are usually designed for accuracy and repeatability, but the body’s own function is often irregular and unpredictable. As a result, machine operators can easily introduce deviations into the reproduction process, either through deliberate adjustment or accidental gesture. Looking at how such imperfections can be both generative and expressive, the exhibition explores the interaction more broadly between mechanical processes and fluid bodily movement.

ISCA Gallery are delighted to present À Table, Christophe Lennox’s second solo exhibition at the gallery.

Christophe Lennox holds a Bachelors Degree in Fine Art from Concordia University in Montreal in 2012. After having lived in Canada for a decade he returned to the UK and lived in London where he gave up painting and started a bespoke furniture making company.

Following the death of his grandfather, also an artist, he inherited a box of old paints and began painting again.
Rooted in personal experience yet reaching beyond it, his work reflects on identity, love, loss, and the fragile bonds that connect and separate us.

BERG Contemporary is pleased to welcome a new solo exhibition by Dodda Maggý, Magnus Annus.

Dodda Maggý’s audio-visual works explore the complex artistic language of time based media, in an attempt to externalize the internal dimensions of dreams, memories and imagination through installation, film, music, sound art and silent moving imagery.

Galerie Nordenhake is pleased to present the inaugural group exhibition Symptoms.

The exhibition brings together works by artists of different generations, including Mamma Andersson, Mirosław Bałka, John Coplans, Ann Edholm, Ayan Farah, George Grosz, Valentina Kozinets, Alex Müller, Edvard Munch, Francis Offman, Benjamin Orlow, Frida Orupabo, Naufus Ramírez-Figueroa, Sophie Reinhold, Michael Schmidt, and Not Vital, who give form to the unsettling through painting, sculpture, photography, and collage.

Gallery Gudmundsdottir is pleased to present a solo exhibition with special works by Mathias Gramoso.

There are forms of perception that emerge only when the world grows quiet. As familiar coordinates fall away, another landscape slowly reveals itself. Rhetorical Silence invites us into this unfolding. For seven days and seven nights, artist Mathias Gramoso inhabits a spherical chamber where no light enters, no horizon appears, and familiar points of reference gradually dissolve. As the rhythms of ordinary perception recede, awareness settles elsewhere, following the subtle movements of thought, breath, and imagination.

Isaak Fangel is pleased to present the solo exhibition Held by Nadia Gueddouh.

Silence is the starting point for Nadia Gueddouh's work, and in the exhibition Held she explores silence as both an artistic and existential practice. Here, the painting is not created through will or intention, but arises in an open and attentive space, as a form of wordless prayer.

Martin Asbæk Gallery is proud to present the exhibition Days Like This, Susanne Wellm’s first solo exhibition with the gallery.

The exhibition features 17 new woven works based on the artist’s extensive archive of imagery, drawn from old family albums, historical film stills,
found photographs, the artist’s own original photographs, and photographs lent to her.

Galerie Anhava presents the group exhibition A Scene from an Untold Tale by two Icelandic artists Loji Höskuldsson, Helga Páley Friðþjófsdóttir
and Finnish artist Milja Havas. Working primarily in different mediums: embroidery, painting and sculpture, the artists share a central focus on storytelling.

The artists present works inspired by books, games, folk tales and fantasies, referencing both familiar everyday moments and nostalgic memories.
Working together through dialogue they have inspired each other in both subtle and unsubtle ways.

Helsinki Contemporary is thrilled to present the solo exhibition Moon, no thought of reflection. Water, no thought of reflecting by the Japanese artist Ken Matsubara.

Moon, no thought of reflection. Water, no thought of reflecting. is Matsubara’s first solo exhibition in Finland. Ken Matsubara’s work addresses memories and histories to which we can all relate, regardless of our backgrounds. Matsubara is interested in how memory can extend beyond individual experience, resonating across generations and different cultures. His understated and meditative works reflect on time and the transience of being, as well as the invisible forces and collective memory invested in objects.

Annika Nuttall Gallery is thrilled to welcome the solo exhibition Loading Forever by Martin Lukáč at the gallery.

Martin Lukáč is a Slovak artist living and working in New York. In 2013 he graduated from the Technical University in Košice with a Bachelor’s degree in fine arts, and in 2016 he received a Master’s degree in painting from the Academy of Arts, Architecture, and Design in Prague.

Persons Projects is proud to present Rhizome, a solo exhibition by Paweł Książek, as part of Berlin Art Week 2026,

The exhibition unfolds as a collection of ideas, images, and associations rather than a single, linear story. Within the works, visual form and language enter into dialogue, creating a space where the visual and the written coexist in tension and resonance. Książek’s mastery of both drawing and painting is evident throughout the exhibition, with his precise control of line, tone, and light giving the works a remarkable intensity and presence.

We are pleased to announce Red Drawings, a solo exhibition by Hannah Heilmann.

The exhibition Red Drawings begins with a suite of red drawings: a bedroom interior with a nude person fumbling with stick figures - or, more precisely, trying to put them on as if they were clothes. The stick figure is impossibly tight to get into, and along the way different visions arise: something like a birth, a murder, a love scene. The drawings balance the figurative with something more diagrammatic and psychedelic, hinting at causality without any real conclusions - just a series of shifts in states of body and soul.

During Berlin Art Week 2026 Dorothée Nilsson Gallery is presenting the solo exhibition the now and then with Swedish artist Henrik Strömberg.

Working with sculpture, glass, and photography, Strömberg often merges the various media in overarching spatial installations developed to comprise the interaction between sculptural volumes, architectural vocabulary and the use of found objects and collected, reused materials.

SPECTA presents the solo exhibition Joker by Jakob Hunosøe.

Jakob Hunosøe’s new works occupy an intriguing space in between. They are photographs but are equally concerned with the boundaries of photography itself.
They depict tangible objects, yet these objects are reduced to their visual properties.
The photographic work takes on the appearance of an abstract painting or collage, while the objects themselves retain an ongoing connection to reality.

i8 Gallery is pleased to present nine new mosaic works by Janice Kerbel, in her third solo exhibition at the gallery.

Kerbel’s newest body of work explores the materiality of language, particularly its permanence and impermanence. For this exhibition, the artist isolates a series of letterforms, presenting each as an individual work. The letters appear in the familiar typeface Times New Roman, in various capitalizations, scales, and positions within panels distributed across the exhibition space.

Galerie Nordenhake is pleased to present the solo exhibition BEING by the Polish artist Mirosław Bałka, nearly thirty years since his last exhibition in Sweden.

The sculptures are made of reworked found objects from the artist's local landscape, including farm machinery, a street sign pole, metal piping,
and train tracks, together forming a scenography for this quiet drama.

… just a shell. is a year-long exhibition by Ingólfur Arnarsson at i8 Grandi.

Throughout the year, the artist will make architectural modifications to the exhibition space through additions and alterations, while the inclusion of a set of drawings serves as a constant in each transformation. Arnarsson’s drawings are built up through layered crosshatching of hard-leaded pencil lines, creating a field of subtle irregularities. Continuously evolving with the addition of new works and interventions, each iteration will be accompanied by a new text by Lani Yamamoto.