Art Calendar
We can't wait to see you at CHART, 29 August – 01 September at Charlottenborg in the heart of Copenhagen. Make sure to also visit these standout shows at our Copenhagen based galleries and the leading Nordic institutions that we are proudly partnering with for CHART 2024.
- All countries
- Norway
- Denmark
- Finland
- Iceland
- Sweden
- Germany
- Austria
- France
- Italy
Date
Venue
Exhibition
City
Country
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17 Oct—30 Oct
i8 Gallery
Callum Innes: Alphabet
Reykjavík
Iceland
i8 Gallery is proud to present Alphabet, a solo exhibition by the painter Callum Innes (b. 1962, Edinburgh; UK). For the best part of four decades Callum Innes has dedicated himself to the creation of a new visual language, which is based on an alphabet not of letters or symbols, but of colours and forms. We can trace the roots of this language all the way back to his image-rich paintings of the early 1980s, but it only began to emerge as a coherent mode of expression in the wake of a residency in Amsterdam, which the artist took up in 1987.
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Callum Innes is one of today’s supreme colourists. In order to arrive at such resonant images he is constantly reinvigorating his palette, blending pigments to generate new amalgams, new experiences. Out of this sensuous and playful approach to making come works of exceptional beauty, indelible and affecting.Courtesy of the artist and i8 Gallery
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3 Oct—1 Nov
Saskia Neumann Gallery
Geraldine Swayne: I see it and know I dreamt it
Stockholm
Sweden
Gallery Saskia Neuman is pleased to introduce British artist Geraldine Swayne (b.1965), a painter and experimental musician. 'I see it and know I dreamt' it is Geraldine Swayne's first solo exhibition in Scandinavia. Her paintings have an almost filmic, dreamlike quality, emphasizing scenes with slightly uneasy, often suggestive undertones. Working largely from photographs rather than still life, the artist chooses images that give her a metaphysical charge, electrifying her interest in the subject.
Swayne often paints friends, although anonymous sources come into play at times, adapting faces and bodies to possess a psychological narrative. Swayne explains, ‘I try to amplify the people I paint with painterly effects that speak to the unconscious, rather than to the intellect.’ The people in her paintings can give an air of restraint, mystique even, instead of than being dramatically active. ‘Hopefully this serves to heighten evidence of a vivid, if sometimes unusual, interior psyche’, she shares. Swayne employs various material in her work, painting with enamels and glass paint due to the luminous quality of the color and because of their viscosity, which suits the artists speed of application.
The work, often diminutive in size, invites a close physical relationship between subject and viewer, creating a private and slightly transgressive feeling, like looking through a keyhole. This proximity also reflects the private psychology that Swayne investigates in her subjects. Swayne’s small paintings liken historical miniatures and feature contemporary subjects from sources as diverse as pornography, landscape painting and portraits of friends. The paintings are completely self-contained yet have a subtle brevity of form and lightness of touch.Courtesy of the artist and Saskia Neumann Gallery
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28 Sep—2 Nov
SPECTA
Anders Bonnesen: The Practice of Everyday Life
Copenhagen
Denmark
In Anders Bonnesen's new exhibition, The Practice of Everyday Life, SPECTA is packed with an overwhelming number of everyday objects, things which are ordinary and immediately recognizable. Or maybe... Things we intuitively recognise from our everyday life, Anders Bonnesen has modified, halved and doubled, and in that way he shows us how undramatic everyday actions – life itself - can sometimes be a difficult and confronting exercise.
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Bicycle, hat, flower, underpants, chair, table, bookcase, ladder, bicycle pump, candlestick, wheel, boat horn, wine glass, fly swatter, glasses, book, sandals, rubber boots, rope, apple, spade, rake, broom, pancake, saw, ruler, lamp, mirror, socks, mittens, snowball, tennis racket, table tennis bat, screwdriver, umbrella, socket, bucket, watering can, guitar, drum... The objects in The Practice of Everyday Life could appear in a memory game or next to their initial letter in a schoolbook in kindergarten. Even the smallest child recognizes them and can name them, and we use them so often, that we don't give it a second thought. But in Bonnesen's version, the objects of the picture lottery have been made unstable, they have become a textbook of misunderstandings. They are not just pictures and not just words. They are all things we use, wear, etc.
In the exhibition, the objects are presented as we most often see them: to grab by reflex and without further thought, or perhaps just left without putting them in their place. They are available.
The word practice in the exhibition title can be understood not only as practice, as acting and exercising something, but also as practicing something, according to the dictionary: repeating an activity to improve one's skills in that activity. And the repeated activity can be understood as life.Courtesy of the artist and SPECTA
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10 Sep—2 Nov
Persons Projects
Mikko Rikala: So Little Changed, So Little Remained
Berlin
Germany
Persons Projects is proud to present Mikko Rikala’s solo exhibition So Little Changed, So Little Remained, a poetic reflection on the paradoxes of time and memory. The title evokes both the subtle shifts in time’s passage and the illusion that everything remains constant. Drawing inspiration from German Romanticism, Rikala’s body of work alludes to the sublime and to being fully immersed in nature as a way of slowly observing natural phenomena and cultivating an awareness of the present moment. His images balance the fleeting yet pivotal moments of daily life with the essential role of memory in shaping identity, offering a nuanced exploration of humanity’s relationship with the natural world.
Find Out MoreCourtesy of the artist and Persons Projects
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1 Oct—2 Nov
Gallery Steinsland Berliner
Open showroom
Stockholm
Sweden
With this year’s summer season having fully reached its end, museum exhibitions in Sweden and abroad featuring several of our affiliated artists have similarly come to a close. Gallery Steinsland Berliner have seized the opportunity to bring some of the works included in these exhibitions to the gallery in Stockholm where they will be showcased during the coming weeks as they prepare for their next opening. They invite you to stop by the gallery and have a look! Seen currently at the gallery are works by Arvida Byström, Leo Park, Ragnar Persson, Malin Gabriella Nordin, Mattias Nordéus, Linnéa Sjöberg, Elina Eriksson, Hanna Hansdotter and Tommy Sveningsson.
find out moreCourtesy of the artist and Gallery Steinsland Berliner
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11 Oct—3 Nov
MELK
Geir Moseid: move closer
Oslo
Norway
Geir Moseid (b. 1978, Tønsberg, NO) is a Norwegian photographer living and working in Oslo, Norway. Since graduating from London College of Communication in 2008, Moseid has been working on multiple photographic series, operating at the point where documentary practice and staged photography meet.
By working with a 4x5 inch camera Moseid aims to challenge how one can talk about and discuss social, anthropological and economical issues in contemporary photography.
Find Out MoreCourtesy of the artist and MELK
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4 Oct—3 Nov
Coulisse Gallery
Julia Kowalska: There is no God who can keep us from Tasting
Stockholm
Sweden
Coulisse gallery is proud to present 'There is no God who can keep us from Tasting’, Julia Kowalskas first solo exhibition in Sweden and with the gallery. The exhibition takes its title from Hélène Cixous's ‘The Book of Promethea’, a story of obsessive love in which Cixous reimagines the Genesis and the Prometheus myths – images of hunger and appetite. While revisiting the scene of the apple, she (re)negotiates the relationship between desire and law, pleasure and prohibition, and ultimately, knowledge and punishment.
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Inspired by the narrative wherein satisfaction of female appetite is seen as transgression – an idea where female hunger is only acceptable if restrained – Julia Kowalska connects feminine appetite with unbridled pleasure, echoing what Cixous describes as “explosion, diffusion, effervescence, abundance” and “taking pleasure in being limitless". For Cixous, female curiosity and appetite – symbolized by fruit – do not necessarily lead to humanity's fall. Similarly, Kowalska is captivated more by the innocence behind female curiosity and desires, rather than the fateful knowledge it supposedly leads to. She goes beyond the forbidden and focuses on the fruit instead. Yet her artistic imagination seeks more than merely fruit as a metaphor for bodies. In her paintings, she combines the language of desire – appetite, pleasure, and curiosity – with a language of things, affirming, through the female gaze upon simple pieces of fruit, the joy of existing in the world and embracing one’s own desires, without being “afraid of the inside, neither of their own nor of the other’s”. She celebrates, rather than censors, women's hunger for sexual pleasure, creativity and autonomy.Courtesy of the artist and Coulisse Gallery
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5 Nov—9 Nov
Galleri Arnstedt
Höstsamling
Östra Karup
Sweden
Galleri Arnstedt is pleased to introduce the group exhibition 'Höstsamling'. The exhibition features works by Shahla K Friberg, Kristina Eriksson, Elisabeth Östin, Ditte Ejlerskov, Johannes Hägglund, Kristina J Eldon.
find out moreCourtesy of the artists and Galleri Arnstedt
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4 Oct—9 Nov
Eighteen
Klara Lilja: Alive
Copenhagen
Denmark
Eighteen is pleased to introduce Klara Lilja's artistic universe in the solo exhibition 'Alive'. The show combines references to ancient scientific practices, art history, anatomy and her love for the genre of fantasy in her ceramic sculptures. In Alive Lilja draws on the topic of the emotional pain associated with grief and loss. Having recently gone through a tough emotional experience herself, Lilja found herself creating works that were the physical manifestations of the emotional processes of breakdown and healing. The title of the exhibition refers to the underlying human will to stay alive through hardships and coming out on the other side, not necessarily stronger but perhaps wiser and nonetheless alive.
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Central for the exhibition are the four vessels and four “gravestones”, placed in pairing colours opposing each other, creating a physical sense of the steps of transformation. They are surrounded by broken, bleeding, blooming and speared hearts, magical staffs, spine swords as well as broken and healing arms and hands. Some of these motifs stand out as a confrontation against the pain. The hands have a special meaning to Lilja, as they are her own most important tools and, in her eyes, the most fascinating part of the human body. In this exhibition, they are a symbol of initiating, taking control and completing. The handheld weapons in form of swords and staffs are drawn from the realm of fantasy and are objects of protection or defence to shield your person from outside attacks. Seeking to cover the many emotional aspects of the human experience from internal and external battles and healing, Lilja’s works are human journeys made physical.Courtesy of the artist and Eighteen
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5 Oct—9 Nov
Galleri Arnstedt
Leontine Arvidsson: Brottstycken – anledningen hackar sig fram
Östra Karup
Sweden
Galleri Arnstedt is pleased to present Leontine Key Arvidsson's exhibition 'Brottstycken – anledningen hackar sig fram'.
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Leontine Key Arvidsson has continually returned to the technique of painting over, folding, erasing, and removing, only to then add again, thus creating what remains. In previous exhibitions, she has showcased a strongly expressive side through sculpture and objects, but for this exhibition, she has turned to painting, incorporating personal fragments in oil. It’s as if she wants to capture her history.Courtesy of the artist and Galleri Arnstedt
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5 Oct—9 Nov
Galleri Arnstedt
Thale Vangen
Östra Karup
Sweden
Galleri Arnstedt is pleased to introduce sculptures and installations by Thale Vangen.
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Thale Vangen is presenting entirely new works made from skin, porcelain, juniper wood, fabric, and horsehair. In various ways, she explores the connections between the corporeal and the immaterial. Through a craft-based process, the materials seek their own language and expression, reflecting how life and form seemingly arise spontaneously in nature. The rawhides in the sculptures are shaped and filled with sand until they dry and hold their new form. They resemble something familiar, yet they are something else. We see creations that cannot be defined or categorised.Courtesy of the artist and Galleri Arnstedt
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3 Oct—10 Nov
Public Service Gallery
Anne Sofie Djernis: There Is No Emotional Connection To Numbers On A Gravestone Without A Story Being Told
Stockholm
Sweden
Public Service Gallery presents There Is No Emotional Connection To Numbers On A Gravestone Without A Story Being Told, a solo exhibition by Anne Sofie Djernis. Anne Sofie Djernis’ paintings are the outcome of a curiosity towards the painterly gaze and what it means to view something through abstraction. Thus, she is trying to understand what it means to paint through the act of painting.
Find Out MoreCourtesy of the artist and Public Service Gallery
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5 Oct—10 Nov
Þula
Hayden Dunham: Salt Of A New Earth // Salt Nýrrar Jarðar
Reykjavík
Iceland
Þula is proud to present Salt Of A New Earth // Salt Nýrrar Jarðar by Hayden Dunham, an immersive exhibition where the boundaries of materiality, transformation, and alchemy continually unfold.
Find Out MoreCourtesy of the artist and Þula
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3 Oct—10 Nov
Andréhn-Schiptjenko
Yngvild Saeter: Requiem
Stockholm
Sweden
Andréhn-Schiptjenko is pleased to present 'Requiem', Yngvild Saeter’s third solo exhibition at the gallery. Requiem presents a deeply intimate yet universal exploration on death and grief. Saeter reflects on loss, moving beyond her own death and resuscitation following a failed brain surgery in 2017, to focus on the passing of a beloved companion.
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During her recovery from brain surgery, Saeter found solace in her dog, Oda, whose unwavering presence provided comfort when communication with others was impossible. After Oda’s passing, Saeter realised that Oda had been the protective force she had been striving to recreate in her previous works. In Requiem, Saeter creates new sculptures, this time as an ode to Oda, sculpting armours for the companion who stood by her side. Through these works, Saeter explores how we process and experience grief — physically, intellectually and emotionally — underscoring the universal themes of loss. Her work navigates the interplay between mortality and the enduring presence of those we have lost, while also reflecting on the resilience and transformation that grief can bring. Ultimately, her work serves as a poignant reminder that grief, though painful, is the cost of love.Courtesy of the artist and Andréhn-Schiptjenko
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11 Oct—15 Nov
CFHILL
Emmanuel Bornstein & Lotte Laserstein: Pensée
Stockholm
Sweden
Laserstein’s iconic Abend über Potsdam, painted in the turbulence of 1930s Berlin, has come to serve as a key piece and inspiration for Emmanuel Bornstein, whose vibrant works are layered with abstracted explorations of memory and identity in the present. Laserstein’s portrayal of waiting and uncertainty during a period of great social and political unrest parallels Bornstein’s contemporary Shelter and Pensée series, where unseen threats linger beneath the surface. Pensée allows us to reflect on how art can mirror the psychological spaces we occupy when faced with exile or displacement, and how these themes remain continually relevant today.
Find Out MoreCourtesy of the artists and CFHILL
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25 Oct—15 Nov
Wilson Saplana Gallery
Per Mølgaard: November
Copenhagen
Denmark
Wilson Saplana Gallery is pleased to present the solo exhibition "November" by the Danish visual artist Per Mølgaard (b. 1969). For this exhibition, Mølgaard showcases oil paintings in which countless layers of paint and dry pigments evoke deep backgrounds and abstract environments. Different moods are played out here, and repeated figures such as the sharp horizon line, the backward-facing person, the empty chair, the bare branch, and the Swedish landscape appear.
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12 Oct—16 Nov
OSL contemporary
Ahmed Umar: Glowing Phalanges
Oslo
Norway
Rooted in Umar’s experiences growing up in environments that were oppositional to each other—Sufism and Wahhabism—Glowing Phalanges is the synthesis of an artist’s life spent tending to all its spiritual possibilities. Umar, who grew up in Mecca, Saudi Arabia, shouldered two burdens in his early life: contending with his queerness by doing everything possible to grant himself a place in paradise, and protecting his Sufi family from the dangers and retributions of their spiritual practices—namely their use of rosaries of up to one thousand beads.
Find Out MoreCourtesy of the artist and OSL contemporary
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18 Oct—16 Nov
Lagune Ouest
Group Exhibition: 8BALL
Copenhagen
Denmark
Lagune Ouest is pleased to present the group exhibition '8BALL' featuring artists; Clémentine Adou, Ed Atkins, Dora Budor, Henrik Plenge Jakobsen, Asta Lynge, Win McCarthy, Jakob Ohrt, Jiajia Zhang.
find out moreCourtesy of the artists and Lagune Ouest
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27 Sep—16 Nov
Gether Contemporary
Pierre Knop: Silence Before the Storm
Copenhagen
Denmark
Gether Contemporary is proud to present Pierre Knop’s second solo exhibition ‘Silence Before the Storm’ with the gallery. The vibrant and imaginative works of Pierre Knop invite viewers to explore his captivating body of work that juxtaposes idyllic landscapes with an underlying tension. His paintings portray soulful, dreamlike environments where small human figures navigate their daily lives—swimming, hiking, or fishing—while an impending sense of unrest looms in the rich, atmospheric backgrounds.
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Influenced by the traditions of Expressionism, Post-Impressionism, and Symbolism, Knop's work recalls the styles of artists such as Pierre Bonnard, Ferdinand Hodler, and Nicolas Poussin, while also acknowledging contemporary luminaries like Jeff Wall and Gregory Crewdson. His landscapes—mountains, forests, and beaches—dominate the canvas, seamlessly merging with their inhabitants, creating a tension that resonates with today’s concerns of environmental degradation and a personal journey toward meaning.Courtesy of the artist and Gether Contemporary
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11 Sep—16 Nov
Dorothée Nilsson Gallery
Yuken Teruya: Testimony To A Fall
Berlin
Germany
In Testimony to a Fall, Teruya invokes various senses of ‘the fall’ through the presentation of historical artefacts, the repetition of patterns, the design of jewels, and from those stories one receives through dialogue with his works.
Find Out MoreCourtesy of the artist and Dorothée Nilsson Gallery
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25 Oct—17 Nov
Galleri Cora Hillebrand
Henrik Ekesiöö: Under A Clear Blue Sky
Gothenburg
Sweden
Galleri Cora Hillebrand is pleased to introduce the exhibition 'Under A Clear Blue Sky' by Henrik Ekesiöö.
find out moreCourtesy of the artist and Galleri Cora Hillebrand
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18 Oct—17 Nov
Helsinki Contemporary
Kaarlo Stauffer: Seikkailu
Helsinki
Finland
Helsinki Contemporary is pleased to present Kaarlo Stauffer's exhibition 'Seikkailu'. Kaarlo Stauffer is known for his collage-like paintings based on old family photographs, but a new departure is evident in his exhibition Seikkailu (Adventure), which has seen him abandon family albums in favour of more reductive, intense palette and a newfound focus on the medium of painting as its own one-of-a-kind language of visual narration.
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There is an element of mystery and lingering contemplativeness to Stauffer’s new paintings. They seem to question exactly what constitutes an adventure, and whether an adventure should always entail heroism and bravery. Traditionally, an adventure is an epic, sublime, and grand event, but even a smaller, simpler experience can elicit a tingling sense of adventure. All it takes is an irresistible sense of mystery, which might arise from an unusual encounter with an animal, the pale glow of the moon, or a dark forest – a strange or fascinating observation or inexplicable enigma that begs to be unravelled.Courtesy of the artist and Helsinki Contemporary. Photo by Jussi Tiainen
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11 Oct—23 Nov
Galleri Susanne Ottesen
Andreas Eriksson: I sleep on the second floor
Copenhagen
Denmark
Galleri Susanne Ottesen is pleased to present the solo exhibition 'I sleep on the second floor' by artist Andreas Eriksson. The title of the present exhibition, I sleep on the second floor, may provide a clue, alluding, as it does, to the artist’s physical location but also to the activity that accompanies sleep – when consciousness gives way to dreaming.
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Born in 1975 in Björsäter, a locality in eastern Sweden, for the last twenty-four years Eriksson has lived in Kinnekulle, occupying a house close to Lake Vänern in southwestern Sweden. The building is situated in a forest and its windows provide views of his natural surroundings, facilitating a sense of closeness with the outside world. This intimacy is continued during his walks in the forest, when the trees, plants, rocks, and glimpses of sky and water provide an endlessly changing panorama of colour, light and texture. The setting also teems with animal life: birds, moles and other creatures of the forest, whose proximity he both directly observes and senses. Occasionally, birds have crashed into the windows, having been unable to distinguish reflections from the actual surroundings. The fallen bodies provide poignant evidence of their confusion. Molehills litter the area outside the house, intimating the presence of small nocturnal residents who emerge from the ground at the dead of night, their movements through the undergrowth concealed by darkness. Eriksson plainly feels a sympathy for both, having made casts both of the dead birds and the molehills, which have been turned into sculptures.Courtesy of the artist and Galleri Susanne Ottesen
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19 Oct—23 Nov
Galleri Magnus Karlsson
Peter Köhler: Left Hand and Against the Sun
Stockholm
Sweden
Galleri Magnus Karlsson is delighted to announce Peter Köhler’s seventh solo exhibition at the gallery. The exhibition Left Hand and Against the Sun presents a collection of drawings in ink and acrylic from the last three years.
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In Peter Köhler’s imagery, the dance winds its way through past and present. This is a dance of death, hidden knowledge and verdure. Staggering skeletons in monk’s robes dance plague victims into their graves. An inbred celebration of fecundity at a warped harvest festival. A cunning man walking backwards around the parish church on a Thursday night to attain sorcerous power. Waltzing preschool kids whose rain overalls droop since no wind blows in Hades. Köhler’s primary palette is one of putrefaction. The muted colours suggest rotten-damp odours and brown-black leaf mush of autumn. The purple-red bruises of a forgotten cadaver. Green mould groping with fingers of dissolving spores. Meanwhile, new life springs from the macabre and decomposing. The rotting becomes the lush. And bright colours erupt: shimmering beetles, glistening petals, motley hats, balloons.Courtesy of the artist and Galleri Magnus Karlsson
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3 Oct—24 Nov
NEVVEN
Ana Manso: La Table Ronde
Gothenburg
Sweden
NEVVEN is proud to present 'La Table Ronde,' the first solo show in the North by Lisbon based Portuguese artist Ana Manso, with a painterly practice which savvily conjoins the mysterious and uncontrollable with knowledge and craft, both in her process, physically, and in her spiritual ideas, metaphysically.
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Manso’s abstract paintings are incredibly capable of capturing that illusory nature of reality and knowledge, pushing our boundaries by trying to understand them, yet being able at once to fascinate with their striking and simple beauty. Her process includes adding to oil painting peculiar treatments of her canvases, like tie-dye, stamping or stencil, odd forms and shapes, like her signature-style tall and thin paintings, and immersive architectonic interventions. 'La Table Ronde' will include all of this, and even more, in a fascinating new step in the practice of Ana Manso.Courtesy of the artist and NEVVEN
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24 Oct—24 Nov
Andersen's
Cecilia Fiona: Infinite Pollination
Copenhagen
Denmark
Andersen's is pleased to introduce Infinite Pollination, Cecilia Fiona's second solo exhibition with the gallery. In this new body of work, Fiona explores the symbiosis of life, both human and non-human, within a vast cosmic ecosystem. Through sculpture, performance, and painting, this exhibition invites viewers to reconsider the boundaries between body, cosmos, and the interconnected threads that weave life together.
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The exhibition is anchored in the concept of pollination—not just as a biological act, but as a metaphor for the interconnectedness of all things. Our bodies are like galaxies, home to countless microorganisms, open vessels where cycles are shared, crossed, and transformed across species and planetary systems. It is within this exchange, this pollination, that life itself continuously unfolds and evolves.Courtesy of the artist and Andersen's. Photo by Malle Madsen
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25 Oct—7 Dec
Matteo Cantarella
Anna Rettl, Davide Hjort Di Fabio: Métal
Copenhagen
Denmark
Matteo Cantarella is thrilled to announce ‘Métal’, a two person show featuring works by Austrian artist Anna Rettl (b.1992) and Italian artist Davide Hjort Di Fabio (b.1990). Stemming from conversations around the idea infrastructure in its literal, semiotical and existential connotations, the exhibition debuts new paintings by Rettl and a new body of sculptural works by Hjort.
find out moreCourtesy of the artist and Matteo Cantarella
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5 Oct—7 Dec
BORCH Editions
Peter Linde Busk: Nightshades
Copenhagen
Denmark
BORCH Editions is delighted to present Nightshades, a series of unique prints by Peter Linde Busk.
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The botanical category of the Solanaceae (Nightshades) comprises a highly diverse group of plants. Some look inconspicuous, others flower magnificently; some are edible herbs known for their medicinal qualities, while others are extremely poisonous. Their appearance can belie their effect – the most beautiful plants can be the most dangerous. Similarly, Peter Linde Busk’s series of monotypes titled Natskygger / Nightshades conveys a wide range of individual aesthetic expressions and atmospheres, linked strategically with recurring pictorial elements throughout the series, which hint at an overarching narrative without ever proposing a specific reading.
Monotype prints are unique. What differentiates monotypes from all other printmaking techniques is the fact that the artist does not leave permanent marks on the printing plate. The colour is directly applied to a featureless plate’s even surface, which thus serves as a vehicle to transfer the artist’s painting or drawing onto paper.Courtesy of the artist and BORCH Editions
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25 Oct—7 Dec
palace enterprise
Tora Schultz: FILE
Copenhagen
Denmark
palace enterprise is pleased to introduce the solo exhibition 'FILE' by Tora Schultz.
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File is an exhibition and an action and a unit, the refining result of a certain tool, the removal of matter and the general sheet of paper/information. Filing is stowing away and keeping and making stuff known and adjusting the shape of things.
A secretary is a piece of furniture (and it’s a subordinated position, too). Essentially archival when it comes to its function, all those drawers and keyholes and little cabinet doors, even a foldable desk for writing or organizing. Obviously, secrecy is the secretary’s virtue. This piece of furniture has been stripped, undressed plywood beneath the mahogany stain. It’s see-through like the opposite of the privacy its name and appearance initially declare. Exposed and exposing.Courtesy of the artist and palace enterprise
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26 Oct—14 Dec
Galleri Bo Bjerggaard
J.F. Willumsen: In dialogue with J.F. Willumsen
Copenhagen
Denmark
Galleri Bo Bjerggaard is pleased to present the exhibition 'In dialogue with J.F. Willumsen'.
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Since Galleri Bo Bjerggaard was founded 25 years ago, they have maintained a deep interest in J.F. Willumsen (1853-1958). Over the years, they have assembled a collection of his works, which will be showcased in this exhibition.
In conjunction with the exhibition In dialogue with J.F. Willumsen, the gallery has invited seven renowned artists to respond to Willumsen’s artistic work. The artists—Anna Bjerger, AK Dolven, Chantal Joffe, Emily Gernild, Eva Schlegel, Martha Hviid, and Janaina Tschäpe—will exhibit works that are presented alongside Willumsen’s own pieces from various periods, exploring his themes and color palettes. The exhibition has been developed in collaboration with the Willumsen Museum and its director, Lisbeth Lund, who has kindly lent out works for the exhibition.Courtesy of the artist and Galleri Bo Bjerggaard
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18 Jan—18 Dec
i8 Gallery
Andreas Eriksson: Real Time
Reykjavik
Iceland
i8 Gallery is pleased to present Real Time, a year-long exhibition by Andreas Eriksson at i8 Grandi. The presentation opens on 18 January and will be on view until 18 December 2024. Throughout the year, the show will evolve with the addition of one new painting a month, all the same size, concluding with twelve paintings in December. In the adjunct gallery room, Eriksson presents a new edition in the form of a calendar, which is printed in an edition of 366 to reflect the length of this year.
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Eriksson’s exhibition is the third year-long presentation at i8 Grandi, following B. Ingrid Olson in 2023 and Alicja Kwade in 2022. Spanning far longer than traditional museum or gallery shows, i8 Grandi’s programming focuses on concepts of space and time. The sustained duration of the annual format allows artists to consider how time affects their work, and the fluidity encourages audiences to revisit the changing installations. This exhibition marks Eriksson’s second show with i8.Courtesy of the artist and i8 Gallery
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17 Oct—19 Dec
Saskia Neuman Gallery
Nadine Byrne: Never historians, always near poets
Stockholm
Sweden
Saskia Neuman Gallery is pleased to present new works by Nadine Byrne.
Nadia Byrne is a Swedish artist, based in Stockholm. The exhibition "Never historians, always near poets" presents a suite of new works in collage on panel. This is the third curated exhibition in the gallery's project space.Courtesy of the artist and Saskia Neuman Gallery