For artists and publishers, the Risograph offers a quick, economic and environmentally-friendly way of working, and once hooked, you’re unlikely to go back.
Visiting an art book fair anywhere in the world today – and there are lots of them! – you cannot avoid meeting riso-printed artists’ books, magazines and fine art prints. Riso is a cheap printing method that wasn’t intended for the art world but for business-administrative purposes. In the 1980’s, the Risograph was launched in Japan to do cheap in-house printing at churches, small political parties, schools and other institutions.
But, with the boom of independent publishing and self-publishing beginning at the turn of this century, the Risograph made its entrance into the underground art world.
My first encounter with a Risograph was when my husband bought a Risograph GR 3770 plus a dysfunctional machine that could be used for spare parts. (We found room for the very large spare parts in the basement with all our other discarded
electronic stuff).
So, it turned out the GR 3770 needed maintenance from day one and the best help you can get to fix a Risograph is from other riso owners.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=2560&h=2097&q=82&fm=jpg&fit=crop&dm=1664369416&s=c7218a72e684440b9912af3dcc603f61 2560w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=2048&h=1677&q=82&fm=jpg&fit=crop&dm=1664369416&s=e230ab4a63e151fd19bfa0875d42472e 2048w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=1920&h=1573&q=82&fm=jpg&fit=crop&dm=1664369416&s=713f5b44f9202f7a71116fbd7ce94d3a 1920w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=1536&h=1258&q=82&fm=jpg&fit=crop&dm=1664369416&s=cd3ab69c11247fe1490a1d43d2781eb6 1536w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=1280&h=1048&q=82&fm=jpg&fit=crop&dm=1664369416&s=0f447a2a59458752cbe005515dde459c 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=1024&h=838&q=82&fm=jpg&fit=crop&dm=1664369416&s=b35bc4ef74e08b88cc27f212e2c35808 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=768&h=629&q=60&fm=jpg&fit=crop&dm=1664369416&s=52b7ef1a85428e8f20ff3572ebfad646 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=512&h=419&q=60&fm=jpg&fit=crop&dm=1664369416&s=2d0903b975b05f290d14863562e314be 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=256&h=209&q=60&fm=jpg&fit=crop&dm=1664369416&s=0a6d2fdd803e9bcae44453d70a2ede84 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/5_Bladr_riso.jpg?w=128&h=104&q=60&fm=jpg&fit=crop&dm=1664369416&s=7ec04a48599341f870aef0db38ddec53 128w)
A selection of riso-printed artists’ books to be found at Bladr – platform for artists’
books, a book store, exhibition space and more based in Copenhagen.
Photos: Bladr.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=4096&h=3072&q=82&fm=jpg&fit=crop&dm=1664369939&s=6f6e5f057d0ffbcc952945d53679b0eb 4096w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=3072&h=2304&q=82&fm=jpg&fit=crop&dm=1664369939&s=a5cdde07e250b9bee345906e4c38f673 3072w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=2560&h=1920&q=82&fm=jpg&fit=crop&dm=1664369939&s=a41677e28782e7153895a2b5ccdaf242 2560w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=2048&h=1536&q=82&fm=jpg&fit=crop&dm=1664369939&s=e8a02848db147b617e984f72b753d0cf 2048w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=1920&h=1440&q=82&fm=jpg&fit=crop&dm=1664369939&s=7a4fc04b1cbdd42a00efdd44f650e9b3 1920w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=1536&h=1152&q=82&fm=jpg&fit=crop&dm=1664369939&s=111347c45e2abe064c5969a2bbcc3206 1536w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=1280&h=960&q=82&fm=jpg&fit=crop&dm=1664369939&s=4a3a4408ad38a7f096afecf44510fdb6 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=1024&h=768&q=82&fm=jpg&fit=crop&dm=1664369939&s=4a3dfe5c88ea20f5343f4a3179348a85 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=768&h=576&q=60&fm=jpg&fit=crop&dm=1664369939&s=0592f02022ab8f4c4d57b07ea724b81f 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=512&h=384&q=60&fm=jpg&fit=crop&dm=1664369939&s=f2e10467aa9baf365ce9cfc36fa4201c 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=256&h=192&q=60&fm=jpg&fit=crop&dm=1664369939&s=990034c346cc8bac0db6cf44de7c5957 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/6_CHART2022_KLDRepro.jpg?w=128&h=96&q=60&fm=jpg&fit=crop&dm=1664369939&s=77bef70a3398b93c9d8c1f65cb1a5bb6 128w)
Kristian B. Johansson and Wilfred Wagner getting ready for CHART Book Fair
2022 at Johansson’s KBJ Printing in Svendborg.
Photo: Kristian B. Johansson and Wilfred Wagner.
Help arrived in the form of artists Kristian B. Johansson and Wilfred Wagner: riso masters, publishers and printers who ran the platform KLD Repro from 2014-2020.
Publishing has been an integral part of Johansson and Wagner’s practices, and through KLD Repro they collectively generated a publishing practice by thinking of their studio and copy shop as one.
The Risograph combines the high speed of a photocopier machine with a material aesthetic similar to silkscreen printing. The first step in printing is to scan an image – like with a normal photocopier – or generate an image using software.
The digital signals from this scan then instruct the riso to burn microscopic holes in a sheet of thin paper to make a master stencil for printing in one colour. When making the actual print, wet, sustainable oil-based ink is pushed through the perforated master paper. The ink is not coated and touching a riso print might leave you with messy fingers.
It is exactly that, the tactile quality of a riso print, that makes it so wonderfully appealing. You can feel the ink. And the colours, oh so bright and vivid! What really characterises the technology is its imperfections and variations.
Often there will be a few millimetres where the masters do not line up, which can make the image shimmer a bit. Or you find marks on the print from the machinery, or that the colour density has changed throughout the print run - essentially every single “copy” is unique.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=1536&h=1628&q=82&fm=jpg&fit=crop&dm=1664375662&s=62484f97f95b79579a4e06ed8989b36a 1536w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=1280&h=1357&q=82&fm=jpg&fit=crop&dm=1664375662&s=ca3ba106df55a87c46e47a35a119a28a 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=1024&h=1085&q=82&fm=jpg&fit=crop&dm=1664375662&s=a65aa5f729c5a05c6575a2e1a2659589 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=768&h=814&q=60&fm=jpg&fit=crop&dm=1664375662&s=b1e43aab98df99e4eff9b83f58c13541 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=512&h=542&q=60&fm=jpg&fit=crop&dm=1664375662&s=056797796fbe1c8edea7be9a94265e7f 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=256&h=271&q=60&fm=jpg&fit=crop&dm=1664375662&s=e26867a81fad03b52334e7a2603f82d2 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/3_KristianWilfred_2016.jpg?w=128&h=135&q=60&fm=jpg&fit=crop&dm=1664375662&s=2892e35ab0f5b799e2eff73efac5d6e9 128w)
Kristian B. Johansson and Wilfred Wagner tirelessly trying to fix a Risograph back in September 2016.
Photo: Sara Lubich.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=1280&h=1276&q=82&fm=jpg&fit=crop&dm=1664374089&s=8f4fba3c0ca233f390c12deb24834ebd 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=1024&h=1021&q=82&fm=jpg&fit=crop&dm=1664374089&s=39301a0e65b4d1130e4ffe3332984d6e 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=768&h=765&q=60&fm=jpg&fit=crop&dm=1664374089&s=15735ba0fe60fb69399f29a73fd13891 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=512&h=510&q=60&fm=jpg&fit=crop&dm=1664374089&s=c38ce8e04c48eb64189f2ce9f65ec32d 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=256&h=255&q=60&fm=jpg&fit=crop&dm=1664374089&s=b63b9cc34bd08d8bf4807dda2d57802e 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_6.jpg?w=128&h=127&q=60&fm=jpg&fit=crop&dm=1664374089&s=f8749147b5b29216d7394477ade36ef1 128w)
Riso Machine.
Photo: Sara Lubich.
When talking about riso-printed artists’ books – books created by artists that are artworks in themselves – scholar Brad Haylock suggests we think of them as ‘auratic multiples’.
It is a hybrid category that combines Johanna Drucker’s two broad categories, the ‘democratic multiple’ and the ‘auratic object’. Drucker is the author of the canonical survey and history of the artist’s book, The Century of Artists’ Books, first published in 1994.
The ‘democratic multiple’ corresponds closely with the idea of an artist’s book that comes in a larger edition, standard print and is affordable – both in terms of production cost and purchase price for viewers. For the ‘auratic object,’ Drucker deploys Walter Benjamin’s notion of the aura of an artwork.
It often has an “inexplicable air of power, attraction or uniqueness.” Artists’ books of this kind are unique or very limited in edition, handmade and often have a high production cost.
The riso-printed artist’s book combines all of these qualities; due to it’s mechanical mode of reproduction it keeps its status as a democratic artwork, whilst an auratic quality is also achieved via quirky imperfections and an artisanal method.
Many artists and designers around the world have opened studios and small publishing houses based on the labour of a Risograph.
When asked about the reason for choosing the Risograph for their work, publisher and artist Paul John from the New York-based studio Endless Editions simply puts it this way: “[Working with risography] seizes the matter of production.”
Now, what isn’t clear to you until you have found your way inside the world of riso, is that you enter a wholehearted community. You sense a thriving artistic energy and a feeling of caring - both for the outcome of the printing and the machine, but also for the artistic riso community as such. Online you can find Risograph owners around the globe
ready to help you and your riso.
Invited by CHART as part of Bladr’s presentation at CHART Book Fair 2022, Kristian B. Johansson and Wilfred Wagner joined forces again to host a performance workshop.
During CHART, every exhibitor at the book fair was invited to take part in the catalogue experiment Table of Content. Johansson and Wagner wanted to explore the meaning and importance of book fairs, especially to small independent publishers.
To produce the publication, each exhibitor was asked to fill out an analogue survey on carbon paper and to provide visual extracts from publications they were presenting at the fair.
From his studio in Svendborg, Johansson had brought a Risograph to the book fair and in the corner in Festsalen, visitors and exhibitors could witness the catalogue in the making.
There is always a moment of anticipation when you hear the peculiar sound of the machine spitting the paper out and it hits the tray: “cli-dak, cli-dak, cli-dak” - fast and consistent.
And then there it was, the catalogue Table of Content, representing community, dialogue and a range of artistic practices at this year’s book fair. Bound in the late hours of Friday, the catalogue was ready for launch on Saturday.
Excitingly, the performance workshop Table of Content strengthened the representation of the underground art scene at CHART 2022, where publishing as a form of practice continues to grow in terms of significance.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_3-1.jpg?w=1024&h=1536&q=82&fm=jpg&fit=crop&dm=1664376809&s=43961ca8791e73383a1508e37604568c 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_3-1.jpg?w=768&h=1152&q=60&fm=jpg&fit=crop&dm=1664376809&s=dc494d5e362635319e9451c2db83bf54 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_3-1.jpg?w=512&h=768&q=60&fm=jpg&fit=crop&dm=1664376809&s=eabf43d7846d1f9ac0795aa7c993ef95 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_3-1.jpg?w=256&h=384&q=60&fm=jpg&fit=crop&dm=1664376809&s=cce47c1143f0903d00b53a35f878fb5e 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_3-1.jpg?w=128&h=192&q=60&fm=jpg&fit=crop&dm=1664376809&s=bd4e8420d59ebfe0d03b98c34b4b1c6f 128w)
Publisher Gösta Flemming from Journal filling out the survey for Table of Content at CHART Book Fair 2022.
Photo: Sara Lubich
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=1536&h=1024&q=82&fm=jpg&fit=crop&dm=1664377001&s=819fa7b863a2ec5f636c556319748da4 1536w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=1280&h=853&q=82&fm=jpg&fit=crop&dm=1664377001&s=07c82b4e1468f6b7332cde7db07c3e74 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=1024&h=682&q=82&fm=jpg&fit=crop&dm=1664377001&s=0733edefd8ccecea880f6b48587f8d04 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=768&h=512&q=60&fm=jpg&fit=crop&dm=1664377001&s=7f158fd05bb1acaad74e2039216e42ff 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=512&h=341&q=60&fm=jpg&fit=crop&dm=1664377001&s=1503bdbfaf8d016225d7db19110b6558 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=256&h=170&q=60&fm=jpg&fit=crop&dm=1664377001&s=04f1c32092b0edc4351a15e2d61c8c88 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_1-1.jpg?w=128&h=85&q=60&fm=jpg&fit=crop&dm=1664377001&s=da342ea8f3b82836602213dbca7a93ac 128w)
Table of Content
Photo: Sara Lubich.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=5120&h=3413&q=82&fm=jpg&fit=crop&dm=1664373747&s=5b467d0025182812f9830842e25425b3 5120w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=4096&h=2730&q=82&fm=jpg&fit=crop&dm=1664373747&s=30199abcaf8e0effc6440687d45e04b9 4096w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=3072&h=2048&q=82&fm=jpg&fit=crop&dm=1664373747&s=edea8667d9e123e57e6e87e54c85ba8c 3072w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=2560&h=1706&q=82&fm=jpg&fit=crop&dm=1664373747&s=f9829ce83fc70a451728af32bd619e96 2560w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=2048&h=1365&q=82&fm=jpg&fit=crop&dm=1664373747&s=d72e726437ce69a88c0a354466312bf2 2048w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=1920&h=1280&q=82&fm=jpg&fit=crop&dm=1664373747&s=e8d737a976df9cb3fe77e3aec9b41f9d 1920w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=1536&h=1024&q=82&fm=jpg&fit=crop&dm=1664373747&s=1d336aea2ea04c279f4bf6f81a0007a0 1536w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=1280&h=853&q=82&fm=jpg&fit=crop&dm=1664373747&s=2c257ad4001e8c8f9f8e16885ae0852f 1280w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=1024&h=682&q=82&fm=jpg&fit=crop&dm=1664373747&s=e0375d11b89f9c4747e5343204786b8c 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=768&h=512&q=60&fm=jpg&fit=crop&dm=1664373747&s=e9bcf283e9dd9d523effaa89c381386c 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=512&h=341&q=60&fm=jpg&fit=crop&dm=1664373747&s=b530cd97685fe0a6219344817c2c1630 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=256&h=170&q=60&fm=jpg&fit=crop&dm=1664373747&s=41452450befde6bccb38b2dc5aac3ef9 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/7_TableofContent_CHART2022_9.jpg?w=128&h=85&q=60&fm=jpg&fit=crop&dm=1664373747&s=6fe17fc2dc5ac88a33267641b1e45144 128w)
Table of Content
Photo: Sara Lubich.
![](https://optimise2.assets-servd.host/fluffy-tenrec/production/8_SaraLubich_portraet_foto_af_FrydFrydendahl.jpg?w=1024&h=1664&q=82&fm=jpg&fit=crop&dm=1664457129&s=08c599f2a32e832fece15d26ca326952 1024w, https://optimise2.assets-servd.host/fluffy-tenrec/production/8_SaraLubich_portraet_foto_af_FrydFrydendahl.jpg?w=768&h=1248&q=60&fm=jpg&fit=crop&dm=1664457129&s=c71e414bc366bb7d5145cb0383c4ed7d 768w, https://optimise2.assets-servd.host/fluffy-tenrec/production/8_SaraLubich_portraet_foto_af_FrydFrydendahl.jpg?w=512&h=832&q=60&fm=jpg&fit=crop&dm=1664457129&s=bfc31ff29f5cc3bb176b0ebda90a1817 512w, https://optimise2.assets-servd.host/fluffy-tenrec/production/8_SaraLubich_portraet_foto_af_FrydFrydendahl.jpg?w=256&h=416&q=60&fm=jpg&fit=crop&dm=1664457129&s=6f461caf014195f4106e03c30db32504 256w, https://optimise2.assets-servd.host/fluffy-tenrec/production/8_SaraLubich_portraet_foto_af_FrydFrydendahl.jpg?w=128&h=208&q=60&fm=jpg&fit=crop&dm=1664457129&s=38a676beed0d663d2cf6d6b901bd168c 128w)
Sara Lubich is a visual artist and curator. She has co-founded the Copenhagen-based platform for artists’ books ‘Bladr’ and the artist-run ‘Galleri 1,4 m3’. Her artist’s book “Snow” (launched at CHART Book Fair 2022) is riso-printed.
Photo: Fryd Frydendahl