palace enterprise (DK)

palace enterprise, founded in 2021, is directed by art historian and owner Gitte Skjødt Madsen. Located in a 1950s modernist building in the center of Copenhagen, the gallery is committed to presenting unique positions across generational divides. The program disseminates Danish and international artists, whose work encompasses a wide range of media, from conceptual sculpture and installation to performance and new media.

Vester Farimagsgade 6
DK-1606 Copenhagen
+45 61 30 62 57

gsm@palace-enterprise.com
palace-enterprise.com

Contact gallery

Tora Schultz (DK)

Tora Schultz is a sculptor, working between New York and Copenhagen. An affinity for existing objects is profound as is her way of going about them. Operating in the opaque intersection between producing and preserving, her methods include shaping, bending, burning, disclosing. A preoccupation with meticulous treatments of hard materials is often seen in her work, with an equal devotion to bare their internal qualities while exposing functional assets and shortcomings. Tora Schultz applies a discrete insistence on the handmade and the wordless.

Schultz (b. 1991, DK) graduated from the Royal Institute of Art, Stockholm (2021). Her work is included in the permanent collections of Moderna Museet, Stockholm (SE), ARKEN Museum of Contemporary Art (DK), Brandts Art Museum (DK), KUNSTEN (DK), the Art Museum in Tønder (DK). Solo exhibition in 2025 include Kunsthal Aarhus (DK) and Viborg Kunsthal (DK).

FILES

Kunsthal Aarhus, solo exhibition, installation
2025

Photo by Jacob Friis-Holm

Appendix

Bronze, various metals, 21.5 x 17 x 3.5 cm
2024

Photo by Jan Søndergaard

Bitch on Wheels

O–Overgaden (DK), solo exhibition, installation view
2022

Photo by Laura Stamer

Disclose

Secretary (plywood, mdf, mahogany stain), 213.5 x 107 x 84.5 cm , installation view at palace enterprise
2024

Photo by Jan Søndergaard

Stranger Inside

Galleri Mejan (SE), solo exhibition, installation view
2021

Courtesy of the artist and palace enterprise

Cally Spooner (UK)

Cally Spooner is a British-Italian artist, based in Turin, Rooted firmly in her training in philosophy, Spooner’s practice is generated through writing, unfolds as collaborative live performances, then lands as film, sound, literature, sculpture, drawings or scores. Her works open duration and rehearsal as modes of resistance to metric time, which constantly surges, swells and engulfs, and under which it is increasingly hard to tell the difference between what is alive and what is dead.

Cally Spooner (b. 1983, UK) holds a PhD in practise based art, a BA in Philosophy (University of Sussex), as well as a PgDip in contemporary art theory and a BMFA in curating at Goldsmith in London. Reecently she has presented exhibitions and performances at Palais de Tokyo, Paris (FR) the Graham Foundation, Chicago (US), Centre Pompidou, Paris (FR), Swiss Institute, New York (US), Castello di Rivoli, Turin, (IT), New Museum, New York (US), and Stedelijk Museum, Amsterdam (NL).

Deadtime

Solo exhibition, installation view at Overgaden
2024

Courtesy of the artist. Photo by Brian Kure

On False Tears and Outsourcing

Dancers, eight randomly rotated choreographic sequences, twenty-meter wall of Kvadrat Soft Cells acoustic panels, fifty-six daylight work lamps and fixtures, live radio (Hot 97), Focal IC 105-T in-ceiling speaker, museum glass, 305 hours, New Museum (USA), solo exhibition
2016

Courtesy of the artist

SWEAT SHAME ETC.

Swiss Institute (USA), solo exhibition
2018

Courtesy of the artist

Deadtime, an anatomy study

Installation view at Graham Foundation Chicago (US)
2024

Courtesy of the artist. Photo by Nathan Keay

Marie Lund (DK)

Marie Lund’s artistic practice arrives from a contemplation on the interdependencies between architecture, space, objects, and bodies. Her sculptural works hold references to existing, functional objects, which she releases from their original use and transforms through tensile material processes into abstract sculptural structures. Often situated in relation to liminal positions, in resistance to sculpture as autonomous object, they activate their environment, encompassing encounters between body and space, and exchange with artworks by other artists.

Marie Lund (b. 1976, DK) holds a MA from the Royal College of Art, London (UK). Recent exhibitions include Den Frie Centre for Contemporary Art (DK), Palm House, Natural History Museum of Denmark (DK), Kunstmuseum St Gallen (CH), Frac des Pays de la Loire, Nantes (FR) and SMK, Copenhagen (CPH). Her works are in the permanent collections of Kunstmuseum St. Gallen, St. Gallen (CH), SMK (DK), ARKEN (DK), FRAC Île-de-France, Paris (FR) among others.