Magnus Andersen (DK)
Magnus Andersen’s practice derives from an interest in the relationship between image and representation, and how living images and painting function in a world strongly influenced by visual impressions. Andersen develops archetypal figures and translates them into paintings with an almost eerie sensibility. Romantic notions of country life, youth and the sweet life are often present in his work. His compositions often feature misplaced symbols, which emphasize the satirical, and surreal moods of his paintings.
Magnus Andersen (b. 1987; DK) graduated from The Royal Danish Academy of Fine Arts, Copenhagen (DK) and Städelschule in Frankfurt am Main, Frankfurt (DE). Recent exhibitions of Andersen’s work include at MMK, Frankfurt (DE); Foundation Cartier, Paris (FR); Kunstverein Weisbaden, Wiesbaden (DE); Kunsthal Charlottenborg, Copenhagen (DK). In 2022, Andersen received Niels Wessel Bagges Honorary Artist Grant.
For Oboe d’Amore Vll
Acrylic and oil on canvas, gold-plated
2023
Courtesy of the artist and palace enterprise
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Christianshavner Sandwich
Acrylic on canvas
2023
Courtesy of the artist and palace enterprise
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Et in terra pax :)
Acrylic and oil on canvas, silver-plated
2023
Courtesy of the artist and Palace Enterprise. Photo by Jan Søndergaard
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Kalv og morgendug (Calf and morning dew)
Acrylic on canvas and wood
2021
Courtesy of the artist and palace enterprise
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Hip hip hurra ! (Spargel, Blinis, Blinis, Spargel)
-
2021
Courtesy of the artist and palace enterprise
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Magnus Andersen, Mogens and Other Stories
Installation view at palace enterprise
Courtesy of the artist and palace enterprise
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For Oboe d’Amore Vll
Acrylic and oil on canvas, gold-plated, 2023
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Christianshavner Sandwich
Acrylic on canvas, 2023
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Et in terra pax :)
Acrylic and oil on canvas, silver-plated, 2023
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Kalv og morgendug (Calf and morning dew)
Acrylic on canvas and wood, 2021
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Hip hip hurra ! (Spargel, Blinis, Blinis, Spargel)
-, 2021
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Magnus Andersen, Mogens and Other Stories
Installation view at palace enterprise,
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Benedikte Bjerre (DK)
Benedikte Bjerre works conceptually with socio-economic phenomena in a versatile practice that focuses on sculpture and installation to reflect on the current state of society. Concepts that shape our vision of the world, such as distribution, consumption, and desire, form the basis for her playful but serious works. Sculptural qualities are consistently examined in relation to the architecture of a given space. Bjerre’s source material ranges from observations about everyday life to expectations of how viewers will experience their surroundings.
Benedikte Bjerre (b. 1987, Copenhagen; DK) graduated in 2015 from Städelschule in Frankfurt am Main, Frankfurt (DE), and in 2016 from the Royal Danish Academy of Fine Arts, Copenhagen (DK). Bjerre’s work has been the subject of prominent exhibitions including at Kunstmuseum Wolfsburg, Wolfsburg (DE); MMK, Frankfurt (DE); Kunstverein Göttingen, Göttingen (DE); SMK - Statens Museum for Kunst, Copenhagen (DK); ARKEN Museum for Modern Art, Ishøj (DK).
Rio Bravo
Mixed media
2018-2023
Courtesy of the artist and palace enterprise
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Rio Bravo
Mixed media
2018-2023
Courtesy of the artist and palace enterprise
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Rio Bravo
Mixed media
2018-2023
Courtesy of the artist and palace enterprise
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Rio Bravo
Mixed media
2018-2023
Courtesy of the artist and palace enterprise
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Rio Bravo
Mixed media
2018-2023
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Rio Bravo
Mixed media, 2018-2023
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Rio Bravo
Mixed media, 2018-2023
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Rio Bravo
Mixed media, 2018-2023
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Rio Bravo
Mixed media, 2018-2023
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Rio Bravo
Mixed media, 2018-2023
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Ann Lislegaard (NO)
Ann Lislegaard is internationally known for her visionary videos, animations, and sound-light installations that engage storytelling—specifically science fiction—to explore the malleability of human perception. The subversive potential of science fiction enables everyday scenarios to be framed by unusual rules. Rather than deconstructing categories of language or meaning, these categories are multiplied, transformed, and transfixed.
In Lislegaard's work, experiences of simulated spheres are created by means of interdisciplinary hybrids and connections – between architecture and cinema, between fictional narratives, and between human beings, machines, and animals.
Recent exhibitions include: VERTIGO, ARoS, 2022, World Machine, Schlossmuseum, Linz, Austria, 2022, extinct, palace enterprise, 2021, Traces of Life, ARKEN, 2021, Fertile Ghosts, Kunstfort, Vijfhuizen, 2020. Lislegaard’s work can be found in the collections of: ARoS—Aarhus Kunstmuseum, Aarhus, Denmark, Louisiana Museum of Modern Art, Humlebæk, Denmark, The Solomon R. Guggenheim Museum, New York, NY, US among others.
Spinning and Weaving Ada
3D animation, mirror modules
2016
Courtesy of the artist and palace enterprise. Photo by Jan Søndergaard
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Oracles, Owls... Some Animals Never Sleep (Borealis)
Mixed media: LED screens, BrightSign player, speaker, iron frame 3D animation, sound. Duration: 31:45 min, Dimensions: 250 x 150 x 61 cm
2021
Courtesy of the artist and palace enterprise. Photo by Anders Sune Berg
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Malstrømmen
3D animation, sound. Duration: 05:03 min
2017-2019
Courtesy of the artist and palace enterprise
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Entropology
Lambda
2007
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Entropology
Lambda
2007
Courtesy of the artist and palace enterprise
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Entropology
Lambda
2007
Courtesy of the artist and palace enterprise
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Spinning and Weaving Ada
3D animation, mirror modules, 2016
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Oracles, Owls... Some Animals Never Sleep (Borealis)
Mixed media: LED screens, BrightSign player, speaker, iron frame 3D animation, sound. Duration: 31:45 min, Dimensions: 250 x 150 x 61 cm, 2021
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Malstrømmen
3D animation, sound. Duration: 05:03 min, 2017-2019
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Tora Schultz (DK)
Coming from a position of feminist, critical thinking, Tora Schultz examines structural discrimination in our physical surroundings. Within her sculptural practice, Schultz recontextualizes everyday items – from kitchen racks, car seats and furniture - with precision and humor, often in reference to gender biases that haunt institutional design. With a passionate attention to the qualities of materials, she extrapolates subtle social tensions inherent in the objects around us and draws attention to the overlooked narratives we live in.
Tora Schultz (b. 1991; DK) holds an MFA from the Royal Institute of Art in Stockholm (2021). Schultz’s recent exhibitions include O—Overgaden, Copenhagen (DK); Den Frie Centre of Contemporary Art, Copenhagen (DK); Museum Sønderjylland, Tønder (DK); palace enterprise, Copenhagen (DK); SKF/Konstnärshuset, Stockholm (SE). In 2022, Schultz received Carl Nielsen and Anne Marie Carl-Nielsen’s talent award.
Stratification, Installation view at palace enterprise
Stainless steel, ten red plastic trays
2022
Courtesy of the artist and palace enterprise
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Stratification
Stainless steel, ten red plastic trays
2022
Courtesy of the artist and palace enterprise. Photo by Jan Søndergaard
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Eva, EvaRid 50th Percentile
Female crash test dummy, purple and grey auto-paint, SLS, linoleum
2022
Courtesy of the artist and palace enterprise. Photo by Laura Stamer
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Divide-and-Conquer
Birch wood table, linoleum insert designed by Magnus Olesen produced at Botium
2021
Courtesy of the artist and palace enterprise
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Wiper
Print on aluminum
2022
Courtesy of the artist and palace enterprise
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Positions, Eva Chair in bent beech by Bruno Mathsson
seatbelt, black auto-paint, mdf
2022
Courtesy of the artist and palace enterprise. Photo by Laura Stamer
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Stratification, Installation view at palace enterprise
Stainless steel, ten red plastic trays, 2022
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Stratification
Stainless steel, ten red plastic trays, 2022
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Eva, EvaRid 50th Percentile
Female crash test dummy, purple and grey auto-paint, SLS, linoleum, 2022
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Divide-and-Conquer
Birch wood table, linoleum insert designed by Magnus Olesen produced at Botium, 2021
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Wiper
Print on aluminum, 2022
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Positions, Eva Chair in bent beech by Bruno Mathsson
seatbelt, black auto-paint, mdf, 2022
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Tora Schultz, Bitch on Wheels, Installation view O-Overgaden, 2023
Courtesy of the artist and palace enterprise