Fanny Hellgren (SE)
The art of Fanny Hellgren deals with ideas of time, change, and ephemerality in relation to natural and constructed landscapes. She uses sand, stone, water, resin, concrete, pigment, graphite and paper, and allows the properties and agency of materials guide her process based practice to unexpected sculptural results, where natural science and mysticism merge in always new magnetic and fascinating forms.
Fanny Hellgren (Göteborg, 1992) holds an MFA from the Malmö Art Academy (2021), and has studied at HDK-Valand Academy in Göteborg (2017) and the Academy of Fine Arts in Vienna (2016). She has exhibited at venues such as Göteborgs Konsthall, NEVVEN, Göteborgs Stadsmuseum, and Alingsås Museum, and her work is represented in public collections including Göteborgs Konstmuseum, Statens Konstråd, Ståhl Collection, Region Kalmar, and Region Skåne, to name a few. Hellgren lives and works in Göteborg, Sweden.
Till Solsmältans Rotfäste
Graphite and pigment on paper
2022
Courtesy of Fanny Hellgren and NEVVEN
Oceans of Time
Sand, resin, pigment
2024
Courtesy of Fanny Hellgren and NEVVEN. Photo by David Eng
Dryland (detail)
Sand, epoxy, pigment
2024
Courtesy of Fanny Hellgren and NEVVEN. Photo by Francisco Nogueira
Landmass 1
Pigment and binder on paper
2023
Courtesy of Fanny Hellgren and NEVVEN. Photo by David Eng
Landmass 4
Pigment and binder on paper
2023
Courtesy of Fanny Hellgren and NEVVEN. Photo by David Eng
Till Solsmältans Rotfäste
Graphite and pigment on paper
2022
Courtesy of Fanny Hellgren and NEVVEN
Roots II
Pigment and binder on paper
2022
Courtesy of Fanny Hellgren and NEVVEN
Till Solsmältans Rotfäste
Graphite and pigment on paper
2022
Courtesy of Fanny Hellgren and NEVVEN
Landmass 4
Pigment and binder on paper
2023
Courtesy of Fanny Hellgren and NEVVEN. Photo by David Eng
The Rhythm Beneath II
Glue, sand, glass fiber, pigment
2025
Courtesy of Fanny Hellgren and NEVVEN
Night Is Mother to the Day II
Glue, sand, glass fiber, pigment
2025
Courtesy of Fanny Hellgren and NEVVEN
