Cecilie Norgaard (DK)
Cecilie Norgaard incorporates traditional painting techniques with an inherent conceptual sensibility to consider implications between aesthetics, artistic production and socio-economic living conditions. Through a vocabulary of recurring signs and images, her work challenges the context of the medium, its formats and conditions, thematising institutional structures and the commercial world order of our present.
Cecilie Norgaard (b. 1991, Denmark) lives and works in Berlin. Recent solo exhibitions include Emotionally Invested, O-Overgaden, Copenhagen (2025); Die Installierte Reale (with Sanna Helena Berger), Rinde am Rhein, Düsseldorf (2024); Success Media, Shahin Zarinbal, Berlin (2024); Cave Painting, Matteo Cantarella, Copenhagen (2024); WHEELS, galeriepcp, Paris (2023); Stretch and Ground, Rinde am Rhein, Düsseldorf (2022).
Under the Weather
Tempera and oil on canvas
2024
Courtesy the artist and Matteo Cantarella
Palette
Oil on canvas
2025
Courtesy the artist and Matteo Cantarella. Photo by David Stjernholm
Pic in pic
Oil on canvas
2025
Courtesy the artist and Matteo Cantarella. Photo by David Stjernholm
Zeitgenössische Arbeit
Tempera and oil on canvas
2025
Courtesy the artist and Matteo Cantarella. Photo by David Stjernholm
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Under the Weather
Tempera and oil on canvas, 2024
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Palette
Oil on canvas, 2025
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Pic in pic
Oil on canvas, 2025
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Zeitgenössische Arbeit
Tempera and oil on canvas, 2025
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Frederikke Jul Vedelsby (DK)
Working across drawing, time-based media and writing, Frederikke Jul Vedelsby examines non verbal and alternative forms of sensorial connections happening outside of our systems of understanding. In opposition to a society ruled by capital, one-directionality, and effectivity, her work is invested in personal rituals as a practice of awareness.
Frederikke Jul Vedelsby (b. 1990, DK) graduated with an MFA from the Malmö Art Academy, Sweden (2020), and from the Maumaus Independent Study Programme, Portugal (2021). Her work has been exhibited at SHOWER (Seoul, Korea), Kunsthal Kongegaarden (Kørsor, Denmark), Malmö Konsthall (Malmö, Sweden), Den Frie Udstillingsbygning (Copenhagen, Denmark), Heima (Seyðisfjörður, Iceland) and at The Beat Museum (San Francisco, US) among others.
Drawing
Beeswax, oil and pigment on woven paper
2020
Courtesy of the artist and Matteo Cantarella. Photo by Youngjae Lih
I must see more of you or I will be quite sad (drawing) 1
Beeswax, oil and pigment on paper
2024
Courtesy of the artist and Matteo Cantarella. Photo by Youngjae Lih
I must see more of you or I will be quite sad (drawing) 2
Beeswax, oil and pigment on paper
2024
Courtesy of the artist and Matteo Cantarella
Not without Rose 2
Beeswax, oil and pigment on paper
2024
Courtesy of the artist and Matteo Cantarella
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Drawing
Beeswax, oil and pigment on woven paper, 2020
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I must see more of you or I will be quite sad (drawing) 1
Beeswax, oil and pigment on paper, 2024
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I must see more of you or I will be quite sad (drawing) 2
Beeswax, oil and pigment on paper, 2024
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Not without Rose 2
Beeswax, oil and pigment on paper, 2024
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Maryam Jafri (US)
For over twenty years Maryam Jafri has worked across diverse media including video, installation, and photography, with a specific interest in questioning the cultural and visual representations of history and political economy and their impact on our quotidian experience.
Maryam Jafri lives and works in Copenhagen, Denmark. Her work has been widely exhibited, including in solo shows at Institute of Contemporary Art, Los Angeles (US), Blaffer Museum of Art, Houston (US), Van Abbemuseum, Eindhoven (NL), Kunsthalle Basel, Basel (CH), Betonsalon, Paris (FR), Gasworks, London(UK), Kunshtal Aarhus (DK), Museet for Samtidskunst Roskilde (DK), Malmö Konstmuseum (SE) and elsewhere. Recent biennials include Front International (Cleveland Triennial), Sao Paolo Biennial, Venice Biennial (Belgian Pavilion), Manifesta 9, Shanghai, Taipei, Bucharest, Thessaloniki, and Quebec City Biennial, among others.
Depression
Wood, egg carton, cupping equipment, photos, silicone feet, acupuncture needles
2017
Courtesy of the artist and Matteo Cantarella
DOOM LOOP
Cardboard on alu-dibond, keyboard keycaps
2025
Courtesy the artist and Matteo Cantarella
Generic Corner Canned Beans
Ink-jet print, wooden frame
2015
Courtesy the artist and Matteo Cantarella
Untitled Obstruction
Plaster, wood, EPS foam
2023
Courtesy the artist and Matteo. Photo by David Stjernholm
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Depression
Wood, egg carton, cupping equipment, photos, silicone feet, acupuncture needles, 2017
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DOOM LOOP
Cardboard on alu-dibond, keyboard keycaps, 2025
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Generic Corner Canned Beans
Ink-jet print, wooden frame, 2015
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Untitled Obstruction
Plaster, wood, EPS foam, 2023
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Sif Hedegård, Ghost Machine, 2024, Installation view
Courtesy of the artist and Matteo Cantarella