Ditte Ejlerskov (DK)
Ditte Ejlerskov’s earlier work draws inspiration from mainstream culture and politics, while her recent work focuses on the more formal aspects of her practice, represented in her series of large-format hand-painted color gradients, which works as a form of chromotherapy. Alongside these, Ejlerskov also works within the realm of NFTs and virtual sculptures, which entail a new way of thinking about ownership. By enabling wide access to the source files, the work gains a life of its own in our shared digital space. This format disarranges the traditional understanding of ownership.
Ditte Ejlerskov (b. 1982, DK) lives and works in Denmark. She studied at the Funen Art Academy, The Cooper Union School of Art (New York) and Konsthögskolan Malmö, which she graduated from in 2009. Ejlerskov has exhibited at institutions such as Malmö Konsthall, Kristianstad Art Museum, Aarhus Kunstbygning, Kunsten Museum of Modern Art and ARKEN Museum of Contemporary Art among others.
Ditte Ejlerskov - Rán
Sculpture, bronze
2024
Courtesy of the artist and Martin Asbæk Gallery. Photo courtesy of Vendsyssel Kunstmuseum.
Dream Gradient (Faded Serena Waterford Green Meets Beiged Lime)
Acrylics and wax on canvas
2023
Courtesy of the artist and Martin Asbæk Gallery
Dream Gradient (Light Matrix Green Meets Soft Lavender)
Acrylics and wax on canvas
2022
Courtesy of the artist and Martin Asbæk Gallery
Dream Gradient 34 (Pale Cold Yellow Meets Dusky Flickering Vermillion Red)
Acrylics and wax on canvas
2024
Courtesy of the artist and Martin Asbæk Gallery
Goddess Interfered 3
Acrylics and oil on two canvases woven together
2023
Courtesy of the artist and Martin Asbæk Gallery
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Ditte Ejlerskov - Rán
Sculpture, bronze, 2024
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Dream Gradient (Faded Serena Waterford Green Meets Beiged Lime)
Acrylics and wax on canvas, 2023
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Dream Gradient (Light Matrix Green Meets Soft Lavender)
Acrylics and wax on canvas, 2022
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Dream Gradient 34 (Pale Cold Yellow Meets Dusky Flickering Vermillion Red)
Acrylics and wax on canvas, 2024
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Goddess Interfered 3
Acrylics and oil on two canvases woven together, 2023
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Portrait of Ditte Eljerskov
Courtesy of the artist and Martin Asbæk Gallery
Clare Woods (UK)
Clare Woods paintings are essentially concerned with sculpting an image in paint and expressing the strangeness of an object. Having initially trained as a sculptor, Woods’ understanding of sculptural forms underpin her paintings, collages and prints, which depict still lifes, interiors and portraits. She reinterprets found imagery, cropping or repositioning the subjects so that they hover on the edge of legibility and figuration and present the viewer with both the familiar and the uncanny, the gentle and the sinister. Woods explores the ambiguous threat of every-day life, mediating between moments of beauty and mortality.
Clare Woods (b. 1972; UK) is a British contemporary artist. Notable solo exhibitions include Norrtälje Konsthall (2024), Serlachius Museum (2022), Pallant House (2016), The New Art Centre (2013). Her work is included in collections such as Tia Collection, Albright-Knox Art Gallery, ARKEN Museum of Contemporary Art, The National Collection of Wales, among others.
Brian's Magic
Oil on aluminium
2024
Courtesy of the artist and Martin Asbæk Gallery
The Lack
Oil on aluminium
2025
Courtesy of the artist and Martin Asbæk Gallery
Still Room
Oil on aluminum
2024
Courtesy of the artist and Martin Asbæk Gallery
The Dark Sun
Oil on aluminum
2024
Courtesy of the artist and Martin Asbæk Gallery
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Brian's Magic
Oil on aluminium, 2024
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The Lack
Oil on aluminium, 2025
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Still Room
Oil on aluminum, 2024
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The Dark Sun
Oil on aluminum, 2024
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Portrait of Clare Woods
Courtesy of the artist and Martin Asbæk Gallery
Jane Jin Kaisen (DK)
Spanning the mediums of video installation, narrative experimental film, photographic installation, performance, and text, Jane Jin Kaisen’s artistic practice is informed by extensive interdisciplinary research, longterm collaborations, and engagement with minority communities. She is known for her visually striking, multilayered, performative, poetic, and multi-voiced feminist works through which past and present are brought into relation.
Jane Jin Kaisen (b. 1980, DK) is a Danish visual artist, filmmaker, and Professor at the School of Media Arts, The Royal Danish Academy of Fine Arts. She holds a PhD in artistic research from the University of Copenhagen, an MFA in Interdisciplinary Studio Art from UCLA, an MA in Art Theory and Media Art from The Royal Danish Academy of Fine Arts, and she participated in the Whitney Museum of American Art Independent Study Program. Kaisen is a recipient of the Beckett-Prize (2023) and the New Carlsberg Foundation Artist Grant (2023). She represented Korea at the 58th Venice Biennale with the film installation Community of Parting (2019). She was awarded “Exhibition of the Year 2020” by AICA - Denmark for the exhibition ‘Community of Parting’ at Kunsthal Charlottenborg.
Fire by Illetdang (Seventh-Day Shrine)
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass
2023
Courtesy of the artist and Martin Asbæk Gallery
Sora
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass
2023
Courtesy of the artist and Martin Asbæk Gallery
Offering for Koh Sunahn
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass
2024
Courtesy of the artist and Martin Asbæk Gallery
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Fire by Illetdang (Seventh-Day Shrine)
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass, 2023
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Sora
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass, 2023
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Offering for Koh Sunahn
Ditone Print, Back mounted aluminium. European Ash, varnished white, waxed (FSC certified wood), artglass, 2024
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Portrait of Jane Jin Kaisen
Courtesy of Martin Asbæk Gallery
Martin Asbæk Gallery facade
Courtesy of Martin Asbæk Gallery