Jens Hüls Funder (DK)
Popular culture is the globalising backdrop from where Jens Hüls Funder ponders a pursuit of childhood and adolescent identity. These reflections take their point of departure from narratives of adulthood, class-identity, national identity and different institutional frameworks. Funders work is the manifestation of stray observations ultimately responding to a darkened center of personal and cultural entanglement. He tries to pass on a sense of misplacement in his work, often explicitly in relation to the context in which it appears.
Jens Hüls Funder (b. 1985) lives and works in Copenhagen. He has exhibited widely in Denmark and recent exhibitions include: SMK - Statens Museum for Kunst, Copenhagen (DK); Vejle Kunstmuseum, Vejle (DK); Kunsthal Aarhus, Aarhus (DK); Den Frie Udstillingsbygning, Copenhagen (DK).
Eyes on The Prize
Ink on paper
2022
Courtesy of the artist and C.C.C.
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Untitled (Pencils #1, #2 & #3)
Pencil set case, pencils, woodless graphite pencil
2020
Courtesy of the artist and C.C.C.
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Untitled (Orange Boards #1)
Shelving system, wheels, bearings, trucks, bolts, powder-coated skateboards
2020
Courtesy of the artist and C.C.C.
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Cartoon
Collage
2022
Courtesy of the artist and C.C.C.
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Eyes on The Prize
Ink on paper, 2022
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Untitled (Pencils #1, #2 & #3)
Pencil set case, pencils, woodless graphite pencil, 2020
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Untitled (Orange Boards #1)
Shelving system, wheels, bearings, trucks, bolts, powder-coated skateboards, 2020
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Mia Isabel Edelgart (DK)
Mia Isabel Edelgart works primarily with video and performance, varying between collective and singular processes. Her works often unfold in relation to long-lasting amateur research processes, and she has worked mainly with questions related to politics of care and reproductive work. Springing from an interest in relational intelligence, knowledge hierarchies and learning processes, Edelgart often works at the crossover between text-based information and situated experience-based knowledge. Besides her production of artworks, she is part of various self-organised (art)schools and creative groups that facilitate alternative spaces for learning.
Mia Isabel Edelgart (b. 1984, Copenhagen; DK) lives and works in Copenhagen (DK). She has exhibited widely across Denmark including at: HFKD - Huset for Kunst & Design, Holstebro (DK); Copenhagen Contemporary, Copenhagen (DK); Kunsthal Charlottenborg, Copenhagen (DK); Vejle Kunstmuseum, Vejle (DK); Kunsthal Aarhus, Aarhus (DK).
Haunted Milk
Three channel video work 18 min (still)
2019
Courtesy of the artist and C.C.C.
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Hearts in Tiny Chests (PS) Pollination Services
Video. 25 min (loop)
2017-22
Courtesy of the artist and C.C.C.
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Floating Peanut (Channel 1)
Video. 95 min (loop)
2021
Courtesy of the artist and C.C.C.
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Haunted Milk
Three channel video work 18 min (still)
2019
Courtesy of the artist and C.C.C.
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Haunted Milk
Three channel video work 18 min (still), 2019
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Hearts in Tiny Chests (PS) Pollination Services
Video. 25 min (loop), 2017-22
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Floating Peanut (Channel 1)
Video. 95 min (loop), 2021
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Haunted Milk
Three channel video work 18 min (still), 2019
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Rasmus Røhling (DK)
Rasmus Røhling is an artist based in Copenhagen who works in video and sculpture. His recent work has dealt with the representation of male eccentricity/male crisis throughout art history and how this iconification relates to current political issues. In Røhling’s practice, dealing with representation is just as much about withholding and re-coding “images”, as it is about creating new ones. In his works Røhling often hijacks existing images, objects or phenomena, as to indoctrinate- and re-associate them with new meanings.
Rasmus Røhling (b. 1982) lives and works in Copenhagen. He has exhibited widely across Europe and The United States, including: Artist Space (US), Museum für Gegenwartskunst (DE), Culturgest (PT), SMK (DK), Sismógrafo (PT), Inter Arts Center (SE), and Den Frie Udstillingsbygning (DK).
Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print
2020
Courtesy of the artist and C.C.C.
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Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde (detail)
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print
2020
Courtesy of the artist and C.C.C.
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Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde (detail)
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print
2020
Courtesy of the artist and C.C.C.
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Township of Secaucus
Inkjet on paper encapsulated in epoxy, wood, ultramarine pigment, car paint
2021
Courtesy of the artist and C.C.C.
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Township of Secaucus (detail)
Inkjet on paper encapsulated in epoxy, wood, ultramarine pigment, car paint
2021
Courtesy of the artist and C.C.C.
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Lazaret (diptych)
Utility ventilator, flexible PVC duct, zip-off hiking pants, steel, oil on canvas
2022
Courtesy of the artist and C.C.C.
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Lazaret (diptych, detail)
Utility ventilator, flexible PVC duct, zip-off hiking pants, steel, oil on canvas (Ø17 cm each)
2022
Courtesy of the artist and C.C.C.
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Live X-ray feed of Michel Sittow’s portrait of King Christian II, painted in 1515, currently in the collection of Statens Museum for Kunst
DV video on loop 23min, mixed media
2022
Courtesy of the artist and C.C.C.
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Live X-ray feed of Michel Sittow’s portrait of King Christian II, painted in 1515, currently in the collection of Statens Museum for Kunst (detail)
DV video on loop 23min, mixed media
2022
Courtesy of the artist and C.C.C.
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Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print, 2020
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Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde (detail)
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print, 2020
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Proposal For The Sculpture “Autopsy (John Allen Chau)” at The Viking Ship Museum in Roskilde (detail)
Epoxy, polyethylene, wood, metal, oil paint, oil on canvas, acrylic paint, latex, nylon, fabric, feathers, power washed gravel, SLA print, 2020
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Township of Secaucus
Inkjet on paper encapsulated in epoxy, wood, ultramarine pigment, car paint, 2021
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Township of Secaucus (detail)
Inkjet on paper encapsulated in epoxy, wood, ultramarine pigment, car paint, 2021
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Lazaret (diptych)
Utility ventilator, flexible PVC duct, zip-off hiking pants, steel, oil on canvas, 2022
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Lazaret (diptych, detail)
Utility ventilator, flexible PVC duct, zip-off hiking pants, steel, oil on canvas (Ø17 cm each), 2022
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Live X-ray feed of Michel Sittow’s portrait of King Christian II, painted in 1515, currently in the collection of Statens Museum for Kunst
DV video on loop 23min, mixed media, 2022
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Live X-ray feed of Michel Sittow’s portrait of King Christian II, painted in 1515, currently in the collection of Statens Museum for Kunst (detail)
DV video on loop 23min, mixed media, 2022
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RASMUS RØHLING, "HÄAGEN-DAZS", installation view at C.C.C., 2022. Courtesy of the artist and C.C.C. Gallery
Photo by BRIAN KURE