Andréhn-Schiptjenko (SE/FR)

Since its inception in 1991, Andréhn-Schiptjenko has been committed to working on an international arena and to the long-term representation of emerging and established contemporary artists from all over the world working with painting, sculpture, photography, film and digital media as well as installation-based and site-specific work. The gallery is today located in Stockholm and, as a way of expanding the gallery’s international scope and to accommodate for collaborative and multidisciplinary projects, a second space opened in Paris in 2019, allowing for a closer relationship with the gallery’s international network.

Linnégatan 31
114 47 Stockholm
(+46) 8 612 00 75

info@andrehn-schiptjenko.com
andrehn-schiptjenko.com

Contact gallery

Curated for
CHART

For CHART 2026, Andréhn-Schiptjenko presents four artists who reflect different tendencies of the gallery’s programme: Cornelia Baltes, Carin Ellberg, Sally von Rosen and Martín Soto Climént. Whilst diverse in their geographical location, their shared generational belonging, materials and sense of fluidity with organic shapes runs as a thread through the works presented.

Carin Ellberg (SE)

Characteristic of Carin Ellberg’s work is change – a continuous exploration of boundaries, between painting and sculptural objects, between wall and floor, between reality and representation and between the self and the surrounding world. If the domestic, everyday life, expressed through unconventional materials, in the beginning was a central theme in Ellberg’s art, her work now reflects her approach to the eternal questions. With nature as a starting point, more specifically the ever-changing sea landscape as a motif, Carin Ellberg visualizes a symbolic realm rather than an external landscape.

Carin Ellberg (b. 1959, SE, resides and works in Stockholm) received her MFA at the Royal Academy of Art in Stockholm in 1989. Her work is today represented in important Scandinavian institutional collections, such as Moderna Museet and ARKEN, and in numerous public commissions. (44)

Flyttar sig (Moving) 1

Metal relief, 12 pieces
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Alexandra de Cossette

Enquire

Andra landskap 6

Acrylic on canvas
2026

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Enquire

Andra Landskap (Other Landscapes) 4

Acrylic on canvas, framed
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Alexandra de Cossette

Mellan Oss (Between Us) 3

Watercolour on paper, framed
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Alexandra de Cossette

Mellan Oss (Between Us) 4

Watercolour on paper, framed
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Alexandra de Cossette

Portrait of Carin Ellberg.

Courtesy of the artist and Andréhn-Schiptjenko. Photo by Per Svensson

Martín Soto Climént (MX)

Martín Soto Climént is well known for his surrealist manipulation of images and objects. His practice refers to the forms of the body and the psychology of desire embedded within an economy of consumption. By re-contextualising ever so slightly and executing delicate re-arrangements by ways of appropriation and juxtaposition his works often have the humble quality of the ready-made or appear to be fragile assemblages exploring issues of temporality, desire, decay and marginality. Soto Climént creates objects, installations, sculptures and photographs sourcing materials and imagery from the quotidian and his interventions into everyday objects are occasionally temporary.

Martín Soto Climént’s (b.1977, MX, resides and works in Tepoztlán) works are part of prominent collections such as François Pinault Foundation, MOCA, Miami and Migros Museum, Zürich. Actively exhibiting since the early 2000’s, he received his MFA in 2015 from UNAM, Mexico City.

Venus Borealis I

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Enquire

The Seasons of Venus

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Enquire

Blue

Torn stockings on fabric, mounted on board, walnut frame, museum glass
2023

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Ricardo Torices

Enquire

La Doncella (Misty Gate)

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

The Seasons of Venus II

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Venus Borealis I

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Venus y Volcano

Silkscreen printed on silk, mounted on panel
2024

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Portrait of Martin Soto Climént.

Courtesy of the artist and Andréhn-Schiptjenko. Photo by Alexandra de Cossette.

Sally von Rosen (SE)

Sally von Rosen’s sculpture and performance-based practice is rapidly gaining international attention. Elephant Magazine named her one of the artists to watch in 2025 and her works has in recent years been widely exhibited. Her sculptures often manifest as hybrid forms, balancing liveliness and morbidity, rawness and refinement, while her performances act as conceptual extensions of these sculptural pieces. A recurring element in her work is the playful yet unsettling quality of her sculptures, which challenge the viewer’s perception by suggesting movement and intention.

Sally von Rosen (b. 1994, SE, resides and works in Berlin) received her MFA in 2019 from Umeå Academy of Fine Arts and she has studied Performative Studies at the Academy of Fine Art in Vienna. Institutional presentations include Bonniers Konsthall (SE), Kunsthal Aarhus (DK), Schinkel Pavillon (DE) among others.

Coccyx

Bronze, patina, wax, wooden podium
2026

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Roman März

Enquire

Posture Fist III

Bronze, wax, patina (Artwork rendering)
2026

Courtesy of the artist and Andréhn-Schiptjenko Gallery

Enquire

Rind (Motherform) II

Bronze, patina, wax
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Joe Clark.

Statue

Bronze, patina, wax
2026

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Roman März

Portrait of Sally von Rosen.

Courtesy of the artist and Andréhn-Schiptjenko. Photo by Damian Pfattner.

Cornelia Baltes (DE)

Cornelia Baltes is known for her paintings and installations that oscillate between abstraction and figuration. Gestural lines of corporeal elements such as facial features, hands and feet are painted over solid fields or gradations of bright colour. Charged with a distinct intensity and sense of movement, Baltes’ minimal compositions balance playfulness with subtle detail, where seemingly spontaneous brushstrokes are in fact meticulously applied with highly pigmented paint. Grounded in a lexicon of imagery that conjure the viewer’s personal memories, experiences and associations, Baltes’ paintings morph into a different narrative for each of us.

Cornelia Baltes (b. 1978, DE, resides and works in Berlin) graduated with an MFA from the Slade School of Fine Art in 2011 and has exhibited at institutions such as Hamburger Kunsthalle, Kunstmuseum Bonn, Museum Gegenstandsfreier Kunst to mention a few.

Tir

Acrylic on canvas, maple wood frame
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Joe Clark

Enquire

Bon

Acrylic on canvas, maple wood frame
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Joe Clark

Enquire

Fah

Acrylic on canvas, maple wood frame
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Joe Clark

Enquire

Tan

Acrylic on canvas, maple wood frame
2025

Courtesy of the artist and Andréhn-Schiptjenko Gallery. Photo by Joe Clark

Portrait of Cornelia Baltes

Courtesy of the artist and Andréhn-Schiptjenko. Photo by Johanna Ruebel.

Andréhn-Schiptjenko (SE/FR)

Curated forCHART