Esben Weile Kjær (DK)
Esben Weile Kjærs work spans sculpture and performance, drawing on the history of pop culture to investigate themes of nostalgia, authenticity and generational anxiety. In his performances, installations and sculptures, he examines identity among his own generation and explores the role of popular culture and technology in shaping experiences of community and freedom. Kjær also curated the exhibition BUTTERFLY! at Arken Museum of Contemporary Art, 2023, which primarily consisted of works from the museum’s own collection staged in an immersive scenography.
Esben Weile Kjær (b. 1992, Denmark) graduated from the Royal Danish Academy of Fine Arts in 2022. Recent solo exhibitions include Salzburger Kunstverein, Amant (New York), and KUNSTEN Museum of Modern Art. He has previously staged performances at numerous institutions in Denmark and internationally at Bozar, Brussels, Centre Pompidou, Paris and the Neue Nationalgalerie, Berlin among other places. He received the Carl Nielsen and Anne Marie Carl-Nielsen Talent Award in 2022. His work is held in major public collections, including the National Gallery of Denmark and ARKEN.
COCKROACH
2025
Courtesy of the artist and Andersen's Contemporary
New Galaxy
2026
Courtesy of the artist and Andersen's Contemporary. Photo by Thomas Lekfeldt
Pride is Temporary at Kiel Rathaus
2025
Courtesy of the artist and Andersen's Contemporary. Photo by Thomas Lekfeldt
Stained Glass Billboard
2026
Courtesy of the artist and Andersen's Contemporary. Poto Malle Madsen
Click/tap image to see full size
Click/tap image to see full size
Click/tap image to see full size
Pride is Temporary at Kiel Rathaus
2025,
Enquire
Click/tap image to see full size
Stained Glass Billboard
2026,
Enquire
Portrait of Esben Weile Kjær
Courtesy of the artist and Andersen's. Photo by Casper Sejersen
Sylvie Fleury (CH)
Sylvie Fleury situates her artistic practice at the intersection of popular culture, fashion, and consumer culture. This engagement manifests across a wide range of media, including sculpture, readymades, photography, video, and performance. Her work is often driven by encounters with objects - ranging from enlarged makeup palettes, high-heeled shoes, mannequins, and shopping bags from luxury brands to objects such as cars, rockets, and motorcycles. Fleury employs slogans and strategies derived from advertising aesthetics within her artistic practice. Her work critically examines and reconfigures notions of gender, power, consumption, and representation through the use of humor, irony, and ambiguity.
Sylvie Fleury (b. 1961, Switzerland) lives and works in Geneva. Internationally acclaimed, she has exhibited at major institutions including Kunsthal Rotterdam, Kunstmuseum Winterthur, MAMCO Geneva, and the Museum of Contemporary Art Chicago, and participated in exhibitions at MoMA PS1, Grand Palais, and Kunsthaus Zürich. She received Switzerland’s Prix Meret Oppenheim in 2018.
LALA LAND
2023
Courtesy of the artist and Andersen's Contemporary
Let Me Do It Bob Gold
2021
Courtesy of the artist and Andersen's Contemporary
Click/tap image to see full size
Click/tap image to see full size
Let Me Do It Bob Gold
2021,
Enquire
Portrait of Sylvie Fleury
Courtesy of the artist and Andersen's. Photo by Annik Wetter
Victor Bengtsson (DK)
Scientific methods play a great part of Bengtsson’s artistic practice as the artist delves into posthumanist medical theory, particularly focusing on the future of hybrid human and nonhuman bodies. His paintings capture the grotesque and the magical as states of metamorphosis, where all bodies are in the act of becoming. Bengtsson’s works are a labyrinthine simulacrum — a maze of illusions filled with heavy archetypes and figures that exude meaning, even as the rationale for their interconnectedness has fallen apart. The artist intends for his paintings to become surreal future relics, artifacts that claim to describe known phenomena but exist in a context that feels otherworldly or out of time.
Victor Bengtsson (b. 1997, Denmark) is a self-taught artist with a BA in medicine (2019-2023). Bengtsson lives and works in Copenhagen. He has exhibited at Mendes Wood DM (São Paulo, 2021, New York, 2022, Brussels, 2023), O - Overgaden, Copenhagen (2025), dépendence, Brussels (2025), Public Gallery, London (2025 and 2024); East Contemporary Gallery, Milan (2021) and Someday Gallery, NYC (2024).
Chimney sweeper
2025
Courtesy of the artist and Andersen's Contemporary. Photo by Malle Madsen
Grain mill
2025
Courtesy of the artist and Andersen's Contemporary. Photo by Public Gallery
Horse Droppings are not Figs at O-Overgaden
2025
Courtesy of the artist and Andersen's Contemporary. Photo by David Stjernholm
Town square
2025
Courtesy of the artist and Andersen's Contemporary. Photo by Malle Madsen
Click/tap image to see full size
Click/tap image to see full size
Click/tap image to see full size
Horse Droppings are not Figs at O-Overgaden
2025,
Enquire
Click/tap image to see full size
Portrait of Victor Bengtsson
Courtesy of the artist and Andersen's
Melanie Kitti (SE)
Erupting in colour, sensations and tactility both Kitti’s visual arts practice and writing works with liminal states. Dreams, childhood memories, family history and human relationships with organic and inorganic matter forms revealing, morbid and sometimes sordid narratives traverings between realms and states of being. Merging prose and poetry, sculpture and painting, applied and visual arts Kitti forms fragmentary systemic disruptions to instigate new worlds, formed in community, to initiate both the breaking and creation of lineages. A pivotal part of her practice centers resistance and equity work challenging social discourse through communal organizing, gathering and fundraising events like the Benefits Art Sale at Overgaden.
Melanie Kitti (b. 1986, Sweden) is a visual artist, poet and community organizer. She studied at the Oslo National Academy of the Arts, the Royal Danish Academy of Fine Arts in Copenhagen and The Danish Academy of Creative Writing in Copenhagen.
Her work has been exhibited at institutions including Moderna Museet, Stockholm; Nasjonalmuseet, Oslo; O—Overgaden, Copenhagen; Rønnebæksholm, Næstved; and Oslo Kunstforening.
In 2026, she receives the Edstrand Foundation Scholarship and undertakes a residency at Cité Internationale des Arts.
Skal, nerv, ljus, fönster
Installation View
2026
Courtesy of the artist and Andersen's Contemporary. Photo by David Stjernholm
Enquire
Click/tap image to see full size
Skal, nerv, ljus, fönster
Installation View, 2026
Enquire
Portrait of Melanie Kitti
Courtesy of the artist and Andersen's Contemporary
Alfredo Aceto (IT)
Aceto's practice includes film, installation, photography, text, and sculpture, and is mainly concerned with the body and the biography. Using among others sculpture, film, and sound, Alfredo Aceto creates spaces suspended between fiction and reality. His environments are places to live, in which one can find a sort of melancholy, artificial time alteration, and image saturation.
Alfredo Aceto (b. 1991) lives and works between Geneva and Paris. Educated at ECAL, MSA^, LA, and the École Nationale Supérieure des Beaux-Arts de Lyon, he has exhibited internationally, including at Villa Medici, CAPC Bordeaux, and Kunst Halle Sankt Gallen. He is currently in residence at WIELS, Brussels.
Full Moon Sergio
Installation View
2024
Courtesy of the artist and Andersen's Contemporary. Photo by Julien Gremaud.
Enquire
Oil Lamp (Elk Clooner)
Installation View
2026
Courtesy of the artist and Andersen's Contemporary. Photo by Annik Wetter
Enquire
Click/tap image to see full size
Full Moon Sergio
Installation View, 2024
Enquire
Click/tap image to see full size
Oil Lamp (Elk Clooner)
Installation View, 2026
Enquire
Portrait of Alfredo Aceto
Courtesy of the artist and Andersen's Contemporary
