Mikael Lo Presti (SE)
Mikael Lo Presti was born in Södra Sandby, Sweden in 1989. He lives and works in Stockholm. “I am not interested in making portraits of specific people. Hands is one way of adding human presence to the paintings. They can also guide how you perceive a painting. Sometimes I feel as if they are my own hands, other times they are more like background actors. I like that you see them as little sculptures!” – Mikael Lo Presti
Mikael Lo Presti (b. 1989, Södra Sandby, Sweden) lives and works in Stockholm, Sweden. Recent solo exhibitions include: Stormen kunst/dájdda (Bodø; NO), Heerz Tooya (Veliko Tarnovo; BG), STANDARD (OSLO) (Oslo; NO), Frankfurt am Main (Berlin; DE). The artist’s works are included in the collections of: Astrup Fearnley Museet (Oslo; NO), Christen Sveaas Art Foundation (Oslo; NO), Storebrand Art Collection (Oslo; NO).
Still Life with Orange #28
Oil on canvas / wooden stretchers
2023
Courtesy of the artist and STANDARD (OSLO). Photo by Carl Henrik Tillberg
Still Life with Orange #38
Oil on canvas / Wooden stretchers
2023
Courtesy of the artist and STANDARD (OSLO). Photo by Vegard Kleven
Still Life with Orange #33
Oil on canvas / Wooden stretchers
2023
Courtesy of the artist and STANDARD (OSLO). Photo by Vegard Kleven
Still Life with Orange #22
Oil on canvas / Wooden stretchers
2023
Courtesy of the artist and STANDARD (OSLO). Photo by Carl Henrik Tillberg
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Still Life with Orange #28
Oil on canvas / wooden stretchers, 2023
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Still Life with Orange #38
Oil on canvas / Wooden stretchers, 2023
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Still Life with Orange #33
Oil on canvas / Wooden stretchers, 2023
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Still Life with Orange #22
Oil on canvas / Wooden stretchers, 2023
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Portrait of Mikael Lo Presti
Courtesy of the artist and STANDARD (OSLO). Photo by Behin Roozbeh
Nina Beier (DK)
Contrasts and ruptures characterize Nina Beier’s work. She digs into cultural tropes to find things that are loaded with particularly problematic and layered stories, things that have undergone a transformation in terms of their intention, production, distribution, trading and use. Especially those objects that represent collapsed systems are unpacked by Beier, exposing the implicit economical and interpersonal power structures they perform. In doing so, she poses complex questions about the value and meaning of objects.
Nina Beier (b. 1975) lives in Copenhagen and Berlin. Solo exhibitions and commissions include The High Line, New York (2022); Spike Island, Bristol (2018) and Kunstverein Hamburg (2015). Recent group exhibitions include Lyon Biennial; Hammer Museum, Los Angeles (both 2022); São Paulo Biennal, Brazil (2021); the Riga Biennial, Latvia (2020); and YUZ Museum, Shanghai (2018). She is represented by Croy Nielsen, Vienna and STANDARD (OSLO), Oslo.
Nest
Marble and stone eggs, spiral staircase, 800 cm x 200 cm
2021
Photo by David Stjernholm
Guardian
Marble lion and stone egg, 150 × 55 × 125 cm
2021
Photo by Jan Søndergaard
Plug
Ceramic sink and rolled cigar, 17 × 35 × 33 cm
2020
Peanuts
Human hair wig, feathers, 1 Hermès tie, synthetic insulation, nylon, 80.5 × 63 cm
2015
China
Ceramic vase and ceramic dog, dog: 71 × 53 × 30 cm, vase: 72 × 28 × 28 cm
2016
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Nest
Marble and stone eggs, spiral staircase, 800 cm x 200 cm, 2021
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Guardian
Marble lion and stone egg, 150 × 55 × 125 cm, 2021
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Plug
Ceramic sink and rolled cigar, 17 × 35 × 33 cm, 2020
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Peanuts
Human hair wig, feathers, 1 Hermès tie, synthetic insulation, nylon, 80.5 × 63 cm, 2015
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China
Ceramic vase and ceramic dog, dog: 71 × 53 × 30 cm, vase: 72 × 28 × 28 cm, 2016
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Portrait of Nina Beier
Courtesy of the artist. Photo by Petri Virtanen
STANDARD (OSLO) facade
Courtesy of STANDARD (OSLO). Photo by Vegard Kleven