Programme

Koilwood makes alternative pop with feelings of hovering above and simple, direct sounds: circular drum patterns, organ melodies, and the mesmerising voice of Koilwood. Koilwood is Alexxis Glory Princess Steadham, originally from Las Vegas, now based on Norway's west coast. Featuring on A good year.

Photo of Alexxis Glory Princess Steadham

David Risley makes paintings, writes, curates, teaches and occasionally plays music. He co-founded CHART and ran David Risley Gallery for 20 years. The gallery also housed a record store, ‘The Gutter’, selling records by artists. The gallery also hosted concerts, festivals and performances including Lee Scratch Perry, Iceage, TS Hoegh among others.

For CHART 2026, Risley will play tunes spanning a range of genres.

Nicknamed ‘Yangze’ since his teens, producer, writer, and musician Jakob Littauer has spent the past decade moving between solo work and collaborations. Sparsely releasing only an EP and a handful of singles under his own name, while also producing and writing with a big palette from avant-garde group TLF Trio to pop music with Tobias Rahim.

His work dances between synthesis and real sound, and in a similar dualistic way the Yangze voice lives in both digital and acoustic timbres, indistinguishable and alive / not alive. Bubbly glitches, detuned guitars, and yearning melodies while lyrics croon about life between cities, media, food, and love. Equally ballady and clubby, Yangze is a rich stew to nourish your ears.

Den Stenede Rille consists of the two young diggers and DJs Mads and Asbjørn — known for keeping the city’s dance floors on a tight leash with rhythmic extravaganza from across the globe. With more than a hundred gigs in Copenhagen and a recent club debut in Paris, the duo has, over the past few years, carved out deep roots in the nightlife of Copenhagen.

DJ set by artist Yangze, also known for his work as a producer and member of TLF Trio, and 15 love Founder Agnete Hannibal.

A Good Year is the Copenhagen-based project of Tobias Laust Hansen and Albert Hildebrand. Through collaboration, experimentation, and an intuitive process, the duo creates music that blends the electronic and programmed with the real and played.

Their work moves between sound, image, and connection, shaped by friends, new encounters, and ideas shared across the internet. Their new album, Play, brings together voices and contributions from Horse Vision, Tiffi M, Helena Gao, MØ, Late Verlane, Quiet Light, Koilwood og Suisse Air.

Photo by Johanna Hvidtved

With 12 years of active DJ'ing, HARRISON HEAT's roots as a DJ stem from the jacking, bouncy style of house music most prominent in Chicago house. Over the years he has added layers upon layers on his style as a DJ. It doesn't make sense to define him in just one genre, rather he delivers moods and sounds that are deeply rooted in house, techno, Italo-disco and progressive sounds etc, it all depends on the energy of the dancefloor.

Kasper Bjørke has been a shape-shifting force in electronic music for the past two decades, weaving a distinct thread through his vast body of work. From club anthems to radio-friendly affairs and introspective ambient meditations, the DNA is unmistakably Bjørke’s - and though the musical scenery may change over time, his sound and vision remain clearly evident throughout. As a DJ, Panorama Bar in Berlin is an all-time personal favorite, with five gigs under his belt in the sacred room so far. Fabric, Rex Club, and Robert Johnson along with legendary festivals such as Sónar Barcelona, Roskilde and Montreux Jazz Festival are other standout experiences. For Chart Art Fair Kasper is playing B2B with local hero Harrison Heat.

Photo of Harrison Heat by Anton SQ
Photo of Kasper Bjørke by Kenneth Møller

Téa is a Copenhagen based DJ, who explores a wide range of genres within electronic music. Groovy, deep, versatile and danceable sets of tech house, deep house and dubbed out techno with subtle changes of pace and mood in her sets, leading you securely through hypnotising labyrinths of rhythms and soundscapes.

Sofie Birch is a sound artist working with live ambient electro-acoustic music, using textures, frequencies, field recordings, synthesis, voice, and trance-based instruments to shape immersive sonic environments. Her practice approaches sound as both material and medium—capable of subtly shifting perception, attention, and states of presence.

Ambient Abracadabra is her evolving sound practice, unfolding between radio, live performance, and immersive environments. It treats listening as a space in itself—where sound, atmosphere, and attention gently reshape experience. Each month, she hosts Ambient Abracadabra on NTS, a collage of listeners’ adventurous sound works interwoven with excerpts from conversations on natural medicine, spiritual inquiry, and the unknown.

With more than ten years of experience, Sofie has composed and produced sound for theatre, film, and art installations. Her work has received recognition including the Carl Nielsen Talent Prize, as well as critical attention from platforms such as Pitchfork.

Photo by Chloe Sassi

Behind the improvisation-based music and performance project Small White Man is the visual artist FOS. The system comprises a “traffic light” system of lightbulbs installed in front of each player. The light bulbs, which in this case are controlled by the artist FOS, have three rules attached: A red light is a signal to play free and lead, a blue light to follow, lights off to stop playing. FOS creates structures, creating a visual frame for each musician in order to co-compose and conduct an improvisation.

For each concert FOS and producer and musician Nis Bysted assemble a wide range of musicians with experience in many different genres, making the soundscape on this recording a varied and unclassical improvisation.

Photo by IDOART agency

Drawing on his background as a musician, songwriter and producer, Vinnie Who curates a DJ set that moves between electronic productions, organic textures and rhythmic depth. The set features his own productions, sketches and previews of forthcoming releases, woven together with carefully selected music. The expression is shaped in the moment and evolves in dialogue with the space, the art and the audience – with a focus on atmosphere, presence and curiosity.

Photo by Dennis Morton

Bathed in distortions and echo, Gal Go Grey is an electronica duo formed of Argentine saxophonist Ignacio Salvadores and London-born experimental musician Tom Grey. They’ve performed together sporadically since 2020, explosive sets that trace the edges of dub, dance and noise, impulsively carving out new shapes in old clay. Their debut self-titled release landed in 2021 and they have since been working on new material, material that has met the stage for the first time this year.

Photo by Andriana Oborocean

Unearth is a DJ set featuring Sgabe and dj srirachas. dj srirachas brings music from his recent soundcloud discoveries - a genre-ambiguous selection from pop to experimentation. He pairs high-energy drums and bass-warped melodies with familiar pop vocals and steady ambience. Sgabe is a London-based DJ and co-founder of Unearth, the Copenhagen music and art platform recognised by Dazed, Sabukaru and i-D for helping shape a new generation of music culture in Denmark. His sets draw from across contemporary club music, rap and internet-born electronic sounds, reflecting the same genre-fluid approach that defines Unearth.

Isaiah Hull is a poet from Old Trafford, Manchester, who works across performance, music, and writing.

His debut release with Young Recordings, POCOMONIA (2025), traces a lineage of diasporic sound and resistance, using mantra, drum, and voice to explore mania, rage, and redemption.

Whether opening for Skepta at Radio 1's Big Weekend, supporting poets such as Kae Tempest and Saul Williams, or via collaborative releases as part of London-based collective life is beautiful (most recently t he d esir e d efec t with aloisius and Mortal Oil of the Spoiled Spirit with THE NARRATOR), Hull's vocal performances channel militant clarity, magnetic chaos and visceral storytelling.

Isaiah Hull runs the workshop and publishing house Pigeon Publishing with THE NARRATOR.

Tania Just is a Copenhagen-based DJ part of the local collective essence, and co-founder of Berlin’s Fandango. She’s known for her sultry blends of sleazy basslines, dreamy vocals, and cheeky dance floor twists.

Rooted in the queer DIY underground, her sound draws heavily from ‘90s house, early tech house, and progressive cuts wrapped up in a signature bounce that’s both dynamic and sassy. Whether she’s working a peak-time floor session or taking her time in a slow-burn opening set, Tania always finds the balance between patience and boldness. Expect gated vocal waves, tribal grooves, and unexpected turns that’s bound to keep the hips moving. As a resident on Refuge Worldwide and co-runner of some of the most open-hearted dance floors in Copenhagen and Berlin, Tania champions genre-fluid spaces where community comes first.

Her sets are built for connection; fun, caring, and tuned into the room with a slightly tongue-in-cheek attitude.

Photo by Cáit