Alva Le Febvre (SE/FR)
Alva Le Febvre's practice centers on still life and explores how objects carry emotional, cultural and gendered meaning. She is particularly interested in everyday objects, play, feminine expressions and collecting, often returning to motifs related to childhood, vulnerability and latent violence. Le Febvre works primarily with analogue photography and hand-prints her works in the darkroom. She frequently combines black-and-white negatives with color printing, photograms and physical materials placed directly onto light-sensitive surfaces, allowing chance and material resistance to influence the final image.
Alva Le Febvre (SE/FR b. 1999, Arles) lives and works in Copenhagen, working primarily with analog photography. She is currently pursuing her Master’s degree at Malmö Art Academy and holds a BA in Photography from HDK-Valand. In addition, she has studied at Fatamorgana – The Danish School of Art Photography. Le Febvre has previously exhibited at Isaak Fangel, Copenhagen; Dummy Online, Copenhagen and Hall Gallery, Gothenburg.
Cœur de Pic
2025
Courtesy of the artist and Isaak Fangel
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Catfight
2025
Courtesy of the artist and Isaak Fangel
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Joker's Nest
C-Print (color darkroom) on glossy finish, cutouts, collectors objects and magnets on shadow box frame
2025
Courtesy of the artist and Isaak Fangel
L’Origine du string
C-print (color darkroom) on glossy finish, mounted on kapa, swedish pinewood frame, anti reflective glass
2025
Courtesy of the artist and Isaak Fangel
Mmmm
C-print (color darkroom) on glossy finish, mounted on kapa, swedish pinewood frame, anti reflective glass
2025
Courtesy of the artist and Isaak Fangel
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Joker's Nest
C-Print (color darkroom) on glossy finish, cutouts, collectors objects and magnets on shadow box frame, 2025
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L’Origine du string
C-print (color darkroom) on glossy finish, mounted on kapa, swedish pinewood frame, anti reflective glass, 2025
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Mmmm
C-print (color darkroom) on glossy finish, mounted on kapa, swedish pinewood frame, anti reflective glass, 2025
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Portrait of Alva Le Febvre
Courtesy of the artist
Nadia Gueddouh (DK/DZ)
Primarily working with painting, Gueddouh’s work emerges from silence as both an artistic and existential practice. Gueddouh seeks a space in which painting can arise without predetermined intention — as a movement rather than a motif, as a wordless prayer. In the encounter between body and canvas, a rhythm takes shape that is closer to dance than to sight. Gueddouh is drawn to the instinctive and the pre-linguistic; to the impulse that once led humans into caves to leave their traces in the dark. This necessity — a passion — is not directed toward anything specific, but toward a connectedness with what is already there.
Nadia Gueddouh DK/DZ (born. 1991, Denmark) lives and works in Copenhagen. She holds an BFA and MFA from the Royal Danish Academy of Fine Arts’ School of Painting under Ferdinand Ahm Krag. Gueddouh has previously exhibited at Isaak Fangel, Copenhagen; M 100, Odense, the spring exhibition at Kunsthal Charlottenborg and the degree show 2025.
Untitled
Oil on canvas
2026
Courtesy of the artist and Isaak Fangel. Photo by Kevin Josias
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Untitled
Oil on canvas
2026
Courtesy of the artist and Isaak Fangel. Photo by Kevin Josias
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Untitled
Oil on canvas
2026
Courtesy of the artist and Isaak Fangel. Photo by Kevin Josias
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It
Oil on paper and linen
2025
Courtesy of the artist and Isaak Fangel. Photo by David Stjernholm
It
Oil on paper and linen
2025
Courtesy of the artist and Isaak Fangel. Photo by David Stjernholm
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Untitled
Oil on canvas, 2026
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Untitled
Oil on canvas, 2026
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Untitled
Oil on canvas, 2026
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It
Oil on paper and linen, 2025
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It
Oil on paper and linen, 2025
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Portrait of Nadia Gueddouh
Courtesy of the artist and Isaak Fangel. Photo by Johanna Hvidtved
Nicolai Olesen (DK)
Working across painting and sculpture, Olesen develops images and forms that draw on references from art history and visual culture. His works resemble graphics, logos, or warning signs, sometimes suggesting a practical function. He examines how images communicate and how their meaning shifts depending on context.
Nicolai Olesen (born 1998, Denmark) lives and works in Hamburg, where he is currently pursuing his MFA at the Hochschule für bildende Künste. Olesen has previously exhibited at Chess Club, Hamburg; the Apple, Zürich; ST. KINDELEIN, Hamburg; ISCP, New York and Isaak Fangel, Copenhagen.
Porsche
Wood car lacquer
2026
Courtesy of the artist and Isaak Fangel
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Clipper
Wood car lacquer
2026
Courtesy of the artist and Isaak Fangel
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[From left to right] Target; MORE; Flag of No Nation
[From left to right] Oil on canvas and pyramid stud; Oil on canvas and glass dust; Acrylic on canvas
2026
Courtesy of the artist and Isaak Fangel
Casino Painting (Red)
Oil on canvas, coins, resin
2025
Courtesy of the artist and Isaak Fangel. Photo by Kevin Josias
Spike
Wood, metallic car paint
2025
Courtesy of the artist and St. Kindelein
Rockets, Condoms, Shadow
2025
Courtesy of the artist and Isaak Fangel. Photo by Moritz Krien
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Porsche
Wood car lacquer, 2026
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Clipper
Wood car lacquer, 2026
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[From left to right] Target; MORE; Flag of No Nation
[From left to right] Oil on canvas and pyramid stud; Oil on canvas and glass dust; Acrylic on canvas, 2026
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Casino Painting (Red)
Oil on canvas, coins, resin, 2025
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Spike
Wood, metallic car paint, 2025
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Rockets, Condoms, Shadow
2025,
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Portrait of Nicolai Olesen
Courtesy of the artist and Isaak Fangel. Photo by Mille Qvist