About chart social
Running alongside the fairs is CHART Social, a programme of cultural events exploring the crossover between art, design, architecture, music, performance, and gastronomy. CHART Social, which is free and open to the public, took place at Kunsthal Charlottenborg and various other locations around the city.
The CHART Social programme is generously supported by the Municipality of Copenhagen.
Please see the 2018 programme here
The CHART Architecture Competition, a key element of CHART Social, is a platform for young Nordic architects to explore and challenge the crossovers between art, design and architecture. Five finalists were selected by a jury, designed pavilions to house gastronomic partners and SPACE10 in Kunsthal Charlottenborg’s courtyards during CHART.
The concept in 2018 was Open-Source and challenged participants to unfold the potential of open-source content through modular design and cross collaborations, to create a platform for aesthetic experimentation and reusable design.
The jury of the 2018 CHART Architecture Competition consisted of:
BJARKE INGELS, Architect & Founder of BIG Bjarke Ingels Group
BEATRICE GALILEE, Curator of Architecture & Design, The Metropolitan Museum of Modern Art
BENANDSEBASTIAN (Ben Clement & Sebastian De La Cour), Artist-duo
SIMON FROMMENWILER, Architect and Co-Founder of HHF Architects
THOMAS LOMMEÉ, Founder and Partner of OpenStructure and Infrastructure
SUSANNE OTTESEN, Owner of Galleri Susanne Ottesen and Co-Founder of CHART
The finalists of the 2018 CHART Architecture Competition were:
Architecture students Malte Harrig and Vitus Karsten Bjerre and fine art photography student Katrine Hoff collaborated to produce the Frame pavilion, which was inspired the transportation of art and subsequently could be packed flat.
Architecture students Dennis Andersson, Mikkel Møller Roesdahl and Xan Browne created the Open Resource pavilion, which experimented with the aesthetic potentials of recycled plastics. In collaboration with Belvedere Vodka, the pavilion was home to CHART’s primary cocktail bar.
THE MANY CHAIRS PAVILION
Art student Sofia Luna Steenholdt, architecture student Joachim Makholm Michelsen and architects Emil Bruun Meyer and Casper Phillip Ebbesen collaborated to create The Many Chairs Pavilion. The pavilion itself was created out of the residual material from the production of open source chairs. The result: 72 chairs, one pavilion, zero-waste. La Fabrica was hosted in The Many Chairs Pavilion.
Tight_Knit was designed by architecture student Jan Sienkiewicz and textile Design student Uta Sienkiewicz. Its design drew from the oldest traditions of craft – knitting and weaving. The pavilion which was announced as the first prize winner housed Rouge Oysters.
SUM OF US: A CLOUD OF HUMAN EMOTION
Architect Sean Lyon was behind the creation of Sum of Us: A Cloud of Human Emotion; a physical manifestation of the ‘Open-Source’ concept. The emotionally-aware pavilion was further developed in collaboration with SPACE10, inside the ‘cloud’, cameras tracked visitors’ faces and responded with personalised audio-visual experiences.
The five pavilions were shown during CHART from 31 August to 2 September. Tight_Knit was announced as the first prize winner of the 2018 Architecture Competition.
CHART Architecture is kindly supported by Realdania, FOSS, Dreyer Foundation, The City of Copenhagen and the Danish Arts Foundation.
‘Siren’, the 2018 edition of CHART Emerging, featured new work by five emerging artists living and working in Scandinavia: Helena Lund Ek (SE), Urd Pedersen (NO), LM Salling (DK) and Jin Mustafa (SE) & Natália Rebelo (SE/BR). The exhibition took its title from a motif in Mustafa’s and Rebelo’s work, whose collaborative video installation revolved around a mythical, Greek figure—a half bird, half human, non-gendered trickster.
For the second year, Helga Christoffersen, Associate Curator at the New Museum, New York, curated a group exhibition comprising the works of artists who, having completed their formal education, have recently put forth a distinct position within the larger artistic landscape.
CHART Emerging is a part of CHART Social and a platform dedicated to supporting the new generation of artists in the Nordic region at a moment of budding artistic development. The exhibition was presented at Festsalen at The Royal Danish Academy of Fine Arts.
CHART Emerging is generously supported by A.P. Møller and Hustru Chastine Mc-Kinney Møller’s Fund, The Augustinus Fund, Danish Arts Foundation, Nordic Culture Fund, Aage and Johanne Louis-Hansen’s Fund and The Finnish Cultural Institute in Denmark.
The CHART Music Programme activated Kunsthal Charlottenborg’s courtyards with live acts, DJ’s, performances and installations throughout the entire weekend. In 2018, more than 7,000 people attended the Opening Night concert held on the Friday, which was free and open to all.
CHART Music Programme 2018:
FRIDAY 1 SEPTEMBER
20.00 – 21.00 DJ Larry B (UK)
21:00 – 22:00 DJ KhalilH2OP (DK)
23:00 – 23:30 LIVE Denzel Himself (UK)
23:30 – 00:30 DJ Justin Strauss (US) x Kasper Bjørke (DK)
00:30 – 01:30 DJ Perel (Hybrid set, DFA Records) (DE)
SATURDAY 2 SEPTEMBER
11.30 – 12.30 DJ Esben Weile Kjær (DK)
13.30-14.30 DJ Blå Time (Albert Grøndal) (DK) & Emma Rosenzweig (DK)
15.30 – 16.30 Alexander Tovborg (DK) & Cæcilie Trier (DK)
17.30 – 18.30 DJ First Flush (DK)
18.30 – 19.30 DJ Varnrable x Yangze (DK)
19.30 – 20.00 Live Larry B (UK)
Ownership, Exchange, Theft
Is culture something you own or something you share? Can art have both money and morals? Is art a speculative act, and what does this means in a world where ideas of empirical truth have become ever-more slippery?
In a series of talks held on September 1 and 2, CHART Talks discussed issues concerning access and ownership in the spheres of contemporary art and design in the Royal Academy’s Kuppelsalen at Kunsthal Charlottenborg. In 2018, CHART Talks were programmed by ArtReview and moderated by Mark Rappolt, Editor, ArtReview, and Oliver Basciano, International Editor, ArtReview, and Justin McGuirk, Chief Curator, Design Museum, London.
Saturday 1 September
12:30 – Copyright, Copyleft, Copytheft
Is the notion of ownership still a relevant concept in the online world today? If art is about ideas, can one then own an idea? Speakers: Daniel McClean, Art & Property Lawyer; FOS, Artist
14:30 – Art: Home of the Alternative Fact
Is it possible to talk about art as a speculative act? If so, what does that mean in a world where ideas of empirical truth have become ever-more slippery?
Speakers: Nav Haq, Curator at M HKA, Museum of Contemporary Art, Antwerpen; Laura McLean-Ferris, Curator at Swiss Institute, New York; João Mourão, Co-Director, Kunsthalle Lissabon
16:30 – Open Design: A Utopian Project?
The network age promised a utopian approach to design in which we were no longer consumers but participants. But how realistic is ‘open’ design and is the dream over?
Speakers: Thomas Lommée, Founder and Partner of OpenStructure and Intrastructure; Daisy Froud, Architect and Strategist specialising in community engagement and participatory design; Adam Greenfield, Writer, Author of Radical Technologies
Sunday 2 September
10:30 – The European Art Scene: Papering Over The Cracks
How can art react to the rise of nationalism and populist political rhetoric in Europe – and what role do galleries and museums have in this matter?
Speakers: Luís Silva, Curator and Co-Director at Kunsthalle Lissabon; Ekaterina Degot, Curator at Steirischer Herbst; John Kørner, Artist
12:30 – Copy Culture
Replicas play a provocative role in art, architecture and design. In a culture that claims to value originality, what potential does a copy hold?
Speakers: Sam Jacob, Architect, Principal, Sam Jacob Studio, Professor of Architecture at University of Illinois at Chicago, Director of Night School at the Architectural Association, London; Asmund Havsteen-Mikkelsen, Artist
14:30 – Is Culture Something You Own or Something You Share?
Cultural appropriation is a subject discussed broadly today, and it raises questions about whether culture is a limited phenomenon belonging to a limited circle. Who should act as gatekeepers of such – and is cultural appropriation a negative thing at all?
Speakers: Jonas Tinius, Anthropologist, Humboldt-Universität; Carla Zaccagnini, Artist
16:30 – Is Virtual Space Real Space?
Does it make sense to differentiate between virtual space and physical space today? And what does it mean for art and architecture – now and in the future?
Speakers: Beatrice Galilee, Curator of Architecture and Design, Metropolitan Museum; Ben Vickers, Chief Technology Officer at the Serpentine Galleries
CHART Talks is made possible by generous support from the New Carlsberg Foundation.
‘UNIONIZE’ – The Rodina
Czech design studio The Rodina constitutes a critical, experimental practice drenched in strategies of performance art, play and subversion. For CHART they present the interactive performance ‘Unionize’ where visitors are invited to join a temporary union supporting the creative worker.
‘Elastic Bonding’ – Malin Bülow
Swedish artist Malin Bülow’s large scale performative sculptures explore elasticity in relation to body, skin, architecture and movement. Her site-specific work ‘Elastic Bonding’ consisted of two physical bodies encased inside textile membranes forming voluminous shapes that became extensions of Kunsthall Charlottenborg’s architecture.
‘Uriel in Situ’ – Julie Lænkholm
In her site-specific installation, ‘Uriel in Situ’, Danish artist Julie Lænkholm addresses issues concerning patriarchy and confinement of women within the arts. The paid tribute to archangel Uriel, the only archangel said to be a woman, and was accompanied by a ritual singing piece.
‘Luggage Fitness: Decluttering your Body Environment’
An engaging performative lecture by Professor in Architectural Theory and History, Peter Lang, and artist Weiling He, and challenged participants to critically consider their relationship to the things they use over the course of a day. This performative aimed to address issues concerning waste, consumption and durability.
At CHART 2018, the Wooodelves treated guests to a special performance. Working with food and rituals as an art form, the 21st century hunter-gatherers labelled their activities as ‘secular mystique’.
In 2018, CHART’s Special Projects included: CHART x Designmuseum Denmark, which presented the sensory work ‘Sinus’ by Pearla Pigao; CHART x KØS that invited visitors on an audio walk titled ‘Remote Copenhagen’, lead by German multimedia collective Rimini Protokoll and CHART x The Royal Danish Theatre/Corpus’ performative dance piece titled ‘Ghosting’.
CHART x Designmuseum Denmark – Pearla Pigao, ‘Sinus’
Investigating how music and sound can materialise through textiles woven with metal threads, Norwegian artist Pearla Pigao’s work ‘Sinus’ was exhibited at Designmuseum Denmark during CHART. Inspired by the theremin, Pigao’s textile became an instrument that could be played without being touched. As viewers interacted with the textiles, they became co-creators of the sound composition that the work sang.
As a part of CHART Social, visitors could experience Danish contemporary dance company DeLeónCompany interact with Pearla Pigao’s piece in a series of experimental performances on 1 and 2 September. The performances were free and open to all.
DeLeónCompany is a Copenhagen based contemporary dance company founded in 2013 by choreographer Jens Schyth Brøndum. Their approach is drawn from an intuitive need to move and based upon physical improvisation. DeLeónCompany’s pieces present the body in an always moving, dynamic form, which invites the audience into a collective universe of physicality in relation to sound and light.
Choreographer: Jens Schyth Brøndum
Dancer and producer: Stina Strange Thue
Dancers: Frederik Levin
CHART X KØS – Rimini Protokoll, ‘Remote Copenhagen’
German multimedia collective Rimini Protokoll (Stefan Kaegi /Jörg Karrenbauer) invited participants to experience their new, site-specific work, ‘Remote Copenhagen’, an interactive collective audio walk that journeyed through various transitory sites in the city of Copenhagen. The walk drew attention to s sites of conflict and negotiation, to their architectural features, and to the many pedestrians, employees and local residents that come into contact at such sites. ‘Remote Copenhagen’ is co-presented by CHART and commissioned by KØS Museum of Art in Public Spaces, and was part of KØS’ exhibition ‘Transit’, which opened on 13 September 2018. A daily audio walk was held throughout the weekend of CHART.
CHART X THE ROYAL DANISH THEATRE/CORPUS – ‘Ghosting’
During the weekend of CHART, visitors could partake in ‘Ghosting’, a performative dance piece developed by Japanese artist Masaru Iwai, German choreographer Sebastian Matthias and Swedish composer Ida Ludén, and the dancers from the Royal Danish Theatre’s experimental dance company Corpus.
The audience members became part of an exploration into how the ubiquity of smartphone devices and social media have forever changed the way we communicate. ‘Ghosting’ is a co-production by CHART and Corpus, and was presented at The Royal Danish Theatre.