Diana Al Hadid (SY)
Diana Al-Hadid is celebrated for her lofty sculptures and wall pieces that appear to be in a state between creation and destruction. Her work is inspired by myriad sources including historical architecture, Hellenistic sculpture, progressing science, myths and works by old masters. They are intricate studies of space, material and structure in which the viewer is continually re-engaging the work through its constant shift of perspectives.
Diana Al-Hadid (b. 1981, Syria) work is represented in collections such as DeCordova Museum and Sculpture Park, Lincoln, MA, Whitney Museum, New York, NY, Virginia Museum of Fine Arts, Richmond, VA, and Museum of Fine Arts, Houston, TX. She has executed the permanent installation The Arches of Old Penn Station at 34th street Penn Station Stop in New York.
In the Year AD 832 Large Stones Were Thrown From the Sky, Breaking the Copper Earth, Etc.
Polymer gypsum, fiberglass, steel, plaster, copper leafing, pigment. 160 x 210 x 10 cm
2019
Enquire
Just As it Did in 1527, the Comet Sliced Through the Night, Sword in Hand
Polymer gypsum, fiberglass, steel, plaster, copper and gold leafing, pigment. 160 x 210 x 10 cm
2019
Enquire
Just As it Did in 1527, the Comet Sliced Through the Night, Sword in Hand (Detail)
Polymer gypsum, fiberglass, steel, plaster, copper and gold leafing, pigment. 160 x 210 x 10 cm
2019
Enquire
Click/tap image to see full size
In the Year AD 832 Large Stones Were Thrown From the Sky, Breaking the Copper Earth, Etc.
Polymer gypsum, fiberglass, steel, plaster, copper leafing, pigment. 160 x 210 x 10 cm, 2019
Enquire
Click/tap image to see full size
Just As it Did in 1527, the Comet Sliced Through the Night, Sword in Hand
Polymer gypsum, fiberglass, steel, plaster, copper and gold leafing, pigment. 160 x 210 x 10 cm, 2019
Enquire
Click/tap image to see full size
Just As it Did in 1527, the Comet Sliced Through the Night, Sword in Hand (Detail)
Polymer gypsum, fiberglass, steel, plaster, copper and gold leafing, pigment. 160 x 210 x 10 cm, 2019
Enquire
Espen Kvålsvoll (NO)
Espen Kvålsvoll’s art is centered around painting, built through processing collection of motifs, collected from urban landscapes, architecture, ornamentation, decoration, images, art and painting history across environments and eras. With his post-modern approach, Kvålsvoll isolates these motifs from their original context and gather them into visual spaces. Every painting in the series is to be seen in context to one another, together they form a painting universe; psychedelic-like depicted rooms and landscapes with a consistent theme and circle of motifs.
Espen Kvålsvoll (b. 1992, Trondheim) lives and works in Oslo. He graduated with a Master in Fine Art at Oslo Academy of Fine Art in 2019. From 2019-2020, Kvålsvoll was awarded an artist studio at Kunstnernes Hus, Oslo. Group exhibitions include Nitja Senter for Samtidskunst, Oslo (2021), Høstutstillingen, Kunstnernes Hus, Oslo (2020). Solo exhibitions include Kunsthall Oslo (2020) and Trondhjem Kunstforening (Upcoming, 2023).
La tombe du chat
Acrylic and oil on linen
2022
Enquire
Per fumum
Rabbit glue, pigment and oil on linen
2022
Enquire
Oppfinnelsen av den lyse dagen
Acrylic and oil on linen
2022
Enquire
På
Acrylic and oil on linen
2022
Enquire
Click/tap image to see full size
La tombe du chat
Acrylic and oil on linen, 2022
Enquire
Click/tap image to see full size
Per fumum
Rabbit glue, pigment and oil on linen, 2022
Enquire
Click/tap image to see full size
Oppfinnelsen av den lyse dagen
Acrylic and oil on linen, 2022
Enquire
Click/tap image to see full size
På
Acrylic and oil on linen, 2022
Enquire